Showing posts with label Artist Highlight. Show all posts
Showing posts with label Artist Highlight. Show all posts

Monday, January 2, 2012

Once upon a fairytale garden

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So it is a new year, and for many people 2012 is looking pretty bleak indeed. That is why I am re-posting this old post I did last year. This story can help remind us that even from the ashes of devastation and despair, life and prosperity will once again flourish.

Wishing everyone a very happy new year, and I hope 2012 brings you all good health, wealth, and happiness.  


Once upon a time in the hills of the great dividing range of Victoria on the edge of a town called Marysville there was a magical garden. In this magical garden mermaids rested on the sun baked rocks on the edge of cool stream’s while fairy’s and pixies danced in-between the trees as wise old men sat at the base of wise old trees.

Unfortunately for Bruno Torfs and the rest of us this is where the fairy tail ended as on the 7th of February 2009 a bushfire raged through the township, decimating everything in its path without mercy and sadly claimed the lives of many people. Bruno was extremely lucky to survive and the rest of the family are safe and well.
Bruno's home and art gallery were unfortunately completely destroyed in the blaze. The main attraction, the sculpture garden, was also damaged, but around sixty percent of the sculptures have survived.
The pictures of the aftermath show a very eerie looking place. The ghostly looking remains of sculptures look almost shell-shocked and traumatised, as from a seen from a town devastated by war.
Bruno has chosen to stay in Marysville to rebuild his home and restore the gardens. His passion to share his love of art and the story of life with the world has not been damaged by the fires, in fact you would almost say it has been forged anew by the flames that nearly took it all away.
But as with all good fairytales, this story two has a happy ending.
Bruno has been working tirelessly to restore the sculptures and the gardens to their former glory and after months of hard work he declared the gardens reopen on the 29th of November 2009.

Bruno's words: "The bushfires deeply touched us all in many ways. It allowed me to see that people had a heart for each other, that when things really got dark, the best in us comes out. We have lost a lot, but life also provides us opportunities to gain a new vision, lots of new friends and a blank canvas to play. In the meantime, nature is already regenerating itself. The green is slowly returning and the rivers are flowing, finding new ways".


All photos are from Bruno Torfs website

Monday, July 4, 2011

The Bottle Houses, Prince Edward Island

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The use of glass in the landscape is something that has interested me for some time, and is something I hope to incorporate into one of my stone projects at some stage. It is buildings like these bottle houses below that make me want to try it out for myself. What an amazing place it is. And as with all inspiring places lies a compelling story of a innovative mind with a creative dream.
 

The Bottle Houses are located at Cap-Egmont, Prince Edward Island, on the gorgeous east coast of Canada. They were built by the late Édouard T. Arsenault.
In 1979 Édouard received a postcard from his daughter of a glass bottle castle she had visited on Vancouver Island in British Columbia, he was so captivated by it, that he was instantly inspired to make his own glass bottle creation. 
Édouard T. Arsenault
That same summer, he started collecting bottles from his community, from a local restaurant, community dance halls, friends, relatives and neighbours. He spent the winter in the basement of his home, cleaning bottles, removing labels and dreaming of his project. In the spring of 1980, at the age of 66, he began construction of his pet project, not quite sure where it was going to take him. As his six-gabled structure was taking form, visitors started coming in. Impressed by his work, they encouraged him to continue and to advertise it as a tourist attraction. And so, in 1981, the first Bottle House was open to the public.

From 1980 to the spring of 1984, he cleverly cemented over 25,000 bottles of various shapes, sizes and colours, into three fantasy-like buildings.
 
Six Gabled House
The first bottle house was built in 1980 out of approximately 12,000 bottles, measuring 20 feet x 14 feet with three main sections. Its six gables and the patterns produced by the careful choosing of colours and sizes of bottles truly makes this a unique building. Mr. Arsenault would cement between 300 and 400 bottles per row, using a total of approximately 85 bags of cement over a six month period.
The Round Tavern
In 1982, Édouard decided to try his luck at a second building, using approximately 8,000 bottles this time. This tavern-like hexagonal structure was originally used to house the attraction's souvenirs and handcrafted items made by his wife Rosina. Today the tavern houses a large selection of interesting bottles collected by Edouard. Whenever he came across a bottle that had a special feature, he preferred to keep it for display rather than using it in the construction. 
The Chapel
The third building constructed by the late Édouard Arsenault is truly a work of art. Approximately 10,000 bottles were transformed in 1983 to become a magnificent little chapel, complete with pews and altar. At the time of his sudden death at the age of 70, in the spring of 1984, Mr. Arsenault still had a bit of work to do, he intended to make the steeples higher and the front pew was not quite completed. At sunset, a symphony of light and colours streams in from behind the altar.


Rebuilding Works
Unfortunately, Prince Edward Island’s winters are not very gentle. The railway ties used as foundations did not withstand the effects of the bad winter frosts. Over the years, the buildings deteriorated to the point that they had to be rebuilt.
Between 1992 to 1998, the original buildings were photographed from all angles, carefully measured and then brought down by hand, recovering the glass bottles from the mortar. Four foot foundations were then laid before local bricklayers carefully reconstructed the buildings, using the same bottles as in the original structures and following the same basic designs. The roof and the central cylinder of the second building are the only components that were maintained in their original form.

Altogether over 25 000 recycled bottles were ingeniously cemented together to create the Bottle Houses. The houses are nestled in a number of mature gardens originally created by Édouard. He built the stonework and developed the flower gardens surrounding the buildings at the beginning of his retirement years in 1974.
Étienne Gallant at work
on the large bottle
The stones were picked locally by him and put together to create a peaceful setting for the gardens surrounding the houses that were to be built later. A keen gardener, he also planted all the trees on the property and enjoyed growing a wide variety of perennials and annuals. The present owner, his daughter Réjeanne, also enjoys this task from year to year, with the help of her son Étienne Gallant who also designed and built a large bottle near the road. This new thirteen feet high structure required 2,000 bottles.


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I still have much to discuss on the topic of recycled glass in the garden, but this is a post for another day. If you would like to see more bottle houses check out this link http://www.agilitynut.com/h/otherbh.html lots more wacky bottle creations to be found there.  The photos for this post are from the bottle house website (used with their kind permission of course) Be sure to check out their website for more information and photos. http://www.bottlehouses.com/

Thursday, March 31, 2011

The amazing flowing stonework of Michael Eckerman

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Safebreak Wave Wall, Santa Cruz Mountains
It’s not very difficult to see why Michael Eckerman and his stonework is loved by the surfing community, building stone features for many of the great surfers, and even getting featured in The Surfer's Journal back in 2007.

Bored with traditional stonework, Micheal’s creative nature has led him away from traditional design. Attracted by the flowing aspects of tectonic upheavals of lava flows that he observed in his travels, he began forming his own signature style of stonework, a style heavily influenced by these lava flows, as well as the movement of wind and water. 

Safebreak Wave Wall, Santa Cruz Mountains
Hailing from Santa Cruz, California, Michael Eckerman has been forming his own signature style of stonework since the 1970’s.
Forty years of building with stone has allowed him to expand his imagination and develop the free flowing type of stonework that he is known for today.
Michael Eckerman
 Like many ‘stonies’ Michael isn’t quite sure how he got into stonemasonry. There was no apprenticeship as such, although he learned much about what makes stonework strong and the principles of structural integrity while collaborating with an influential  builder from the ’60s and ’70s, called Ken Kern. 
He also recalls one of his first building ventures being a cabin he built with a friend in Quebec back in 69.

Even from the magical entrance to Michael’s home (a fantastic combination of stone and driftwood that seems to flow so naturally and playfully), it is clear that this is a home that lives and breathes art. And not only by Michael’s hand, for here creativity is a family business. Micheal’s wife Karen is an arborist, while his younger son Wes explores his creativity through photography and his older son Ea Eckerman expresses his creativity through both graphic art as well as sculpture. 

Pine Arch with Drift Wood
 
In the article by The Surfer's Journal, Michael tells a bit about the creative process of his work.

M. Eckerman beside his piece ‘Ledbury Tree’
"Each project is different, but the forms come through with a similar telegraphing message: flowing harmony. The stone suggests its form, he says. There’s not a lot of planning in his projects, no detailed drawings, maybe some chalk lines sketched on a wall. A flagstone forms a bench in a barrel. A helix has two platforms on opposite sides of the spiral—one for you, another for your sweetie.
The rock calls for touch. Natural, somehow, that stone should represent water. There’s good workmanship in all of it too: steps built to code, walls built to stand for centuries, ascending fireplaces around which the houses rise. Michael works with materials from the region he’s building in, whether it’s granite in the Sierra or lava rock in Hawaii. “If you knock it around in the surf for a thousand years,” he says of lava rock, “it gets interesting—very smooth, blue in color.”" [From article 'Natural Fit' in The Surfers Journal 2007]

Lebury Arch
In addition to stone, Michael accents much of his work with other materials, like brick, tile, glass, ceramics and metal.

Ceramic & Stone arch wall
Those of you who read my blog regularly will know my passion for creating stone benches. Well, Michael too has built some stone benches, but probably not in the way to which you may be accustomed. Check out this art project he did for the city of Menlo Park, California. Titled ‘Convertibles’

Convertibles
Micheal is currently working on a series of stone dog sculptures. It is interesting to see him use these same flowing stonemasonry techniques in a new more miniature and intricate way.  

Valcor- stone dog w:stacked driftwood
Guard Dog
 Michael has a vast and fantastic portfolio of work, so I suggest you check out his website www.eckermanstudios.com/ if you would like to see more. I have not even mentioned his absolutely stunning fireplaces and chimney stacks, so impressive in fact that they justify a blog post of their very own, which I will post later on in the year.  

Safebreak Wave Wall, Santa Cruz Mountains
 A big thanks to Michael for taking the time to send me the photos and information for this post. If you are interested in seeing the the article 'Natural Fit' from The Surfers Journal, you can purchase a download-able copy of the article from their website here 
Sources 
2010 Artist Bio written by Michael's daughter Rosie.
http://www.eckermanstudios.com/
The Surfers Journal 2007 article 'Natural Fit'


Sunday, January 30, 2011

Artist Liu Bolin's disappearance into the landscape.

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Hiding in the City No. 94- In the Woods, 2010

Came across this amazing guy the other day.
37-year-old artist Liu Bolin, from Shandong, China camouflages himself into the environment.

Hiding in the City No. 14- Er Guo White Wine Factory, 2006
Hiding in the City No. 91- Great Wall, 2010

The talented Liu Bolin says his art is a protest against the actions of the Government, who shut down his art studio in 2005 and persecutes artists. It’s about not fitting into modern society. The government had stipulated that it didn't want artists gathering and working together. Despite these problems with the authorities, Liu’s works are appreciated internationally.
Liu said he wanted to show how city surroundings affected people living in them.
He added that the inspiration behind his work was a sense of not fitting in to modern society and was a silent protest against the persecution of artists.

Hiding in the City No. 71- Bulldozer, 2008
Hiding in the City - Dragon Series, No. 4 of 10 panels, 2010
Hiding in the City No. 31- Holding Democratic Elections By Law, 2006

In an interview with the Daily Mail he said: 'Some people call me the invisible man, but for me it's what is not seen in a picture which is really what tells the story.
'After graduating from school I couldn't find suitable work and I felt there was no place for me in society.
'I experienced the dark side of society, without social relations, and had a feeling that no one cared about me, I felt myself unnecessary in this world.
'From that time, my attitude turned from dependence into revolting against the system.' 
Liu said he was further pushed on with his work when the Chinese authorities shut down his art studio in Beijing in 2005.
He said: 'At that time, contemporary art was in quick development in Beijing, but the government decided it did not want artists like us to gather and live together.
'Also many exhibitions were forced to close.
'The situation for artists in China is very difficult and the forced removal of the artist's studio is in fact my direct inspiration of this series of photographs, Hiding In The City.'  

Hiding in the City No. 16 & 17 People's Policeman, 2006
Teatro alla Scala, 2010
Hiding in the City No. 93- Supermarket No. 2, 2010

Liu begins by choosing the background location. Then he stands in position as the blank canvas for up to 10 hours as his helpers, armed with paintbrushes make him disappear into the surrounding landscape.
'There are many people who like my work I think because my work has a quiet strength, in the photographs.
'I am standing, but there is a silent protest, the protest against the environment for the survival, the protest against the state.
'I wanted to photograph the reality of scenes of China's development today.
'My work is a kind of reminder, to remind people what the community we live in really looks like, and what kind of problems exist.'
Hiding in the City No. 85, 2009

Liu Bolin has a huge portfolio of amazing work, in fact I had difficulty in limiting the amount of photos in this post to ten. If you would like to see the full portfolio of his work, you can find it here. www.elikleinfineart.com
Check out the video to see how the photo above was created.



Scorces
http://www.arttherapyblog.com/artwork/top-12-liu-bolin-invisible-man-artist-paintings/
http://www.elikleinfineart.com/html/artistresults.asp?artist=82&artistname=Liu Bolin
http://www.dailymail.co.uk/news/worldnews/article-1201398/Liu-Bolin-The-Chinese-artist-turns-Invisible-Man.html#ixzz1CWbWkRuS