Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

Monday, September 1, 2014

Sculpture in Context 2014

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Sculpture in Context 2014 in The National Botanic Gardens, Glasnevin, Dublin.
4th September to 17th October 2014

Sculpture in Context 2014 returns once again to the National Botanic Gardens, showcasing the work of Irish and international artists. It is the largest and most prestigious outdoor sculpture exhibition in Ireland.
Sculpture in Context was established in 1985 to raise the profile of sculpture and provide a platform for artists outside the normal gallery context. It is a not for profit organisation run by sculptors. The exhibition was founded by Cliodna Cussen, Colm Brennan and Gerard Cox and originated in Fernhill Gardens where it ran for 10 years. Since then it has been hosted in the Conrad Hotel, Malahide Castle, Kilmainham Gaol, the Irish Management Institute, Dublin Castle, Farmleigh House and since 2002 has been held in the magnificent National Botanic Gardens.

Sculpture in Context promotes artists and creates opportunities for practicing artists to exhibit their works in a wider public arena.  The organisation has provided much needed opportunities for Irish and non-Irish sculptors in Ireland.
In total there will be 150 pieces on display this year (including a number of small pieces in the gallery above the cafe). This is a wonderful opportunity to explore the stunning botanic gardens and discover dozens of art works placed all around the gardens and within the glasshouses. 
These photo collages are just a little taste of what will be on view for the duration of the exhibition.  

I am delighted to announce I have a piece in this years exhibition. 
This natural stone and mirror mosaic piece consists of golden granite and iconic Liscannor sandstone from Co. Clare (I visited this quarry a while back with the DSWAI. Read more about this iconic stone here
I have made a number of square and rectangular mosaics for gardens before but, to the delight of my steel fabricator (note hint of sarcasm) I decided to go with a more organic shape this time   



Its funny, when I'm working away on a piece in the studio it always looks so much duller. Endless hours painstakingly splitting down pieces of stone with grinder and chisel, wondering if it will all come together.
Thankfully, as always, my uncertainties are put to rest when the piece is cleaned up and put out in its garden setting. That moment when the sun comes out and the piece begins to glisten, reflecting back the lush garden greens and the ever changing sky, that is when I fold my arms and give it the nod of approval.       

Sculpture in context officially opens to the public on Thursday the 4th September and will run to 17th October 2014 so plenty of time to come see all these great pieces on display. And if you're in the market for buying a unique piece of  art be sure to bring your cheque book as most of the pieces on display will also be for sale.
The gardens are open Monday to Friday 9 am - 5 pm and Saturdays, Sundays and Public Holidays 10 am - 6 pm. Be sure to call into reception and get yourself a catalogue so you don't miss any of the pieces waiting to be discovered around the gardens.  

Monday, March 3, 2014

'The tree that ate the church' and other stone hungry Irish trees

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Around this time every year I try and do a special tree themed blog post especially for National Tree Week which this year runs from 2nd March to 8th March.

Reading through this wonderful new book by Aubrey Fennell about the Heritage Trees of Ireland I got inspired to do a blog post on some of the stone hungry trees of Ireland.

This book is full of wonderful photos, stories and information and I thoroughly recommend getting a copy. Below are two stories from the book that I have been permitted by the publishers to share with you. They are the story of The Tree That Ate the Church in Co. Offaly and the story of Castle One Tree in Co. Cavan written in the words of the author.

Heritage Trees of Ireland By Aubrey Fennell. Click here to buy with free worldwide shipping
I have always been fascinated by the folklore surrounding many of Ireland's trees. Many of these trees are also often closely tied to stone I find. Unfortunately though the same trees are also often the slow killers of the same stone structures as was the case below.
The Tree that Ate the Church. Co. Offaly. (Photo from Heritage Trees of Ireland book with the publishers kind permission)

The Tree That Ate the Church, Tihilly Church, Laughaun, Coleraine, County Offaly  
"I have been as guilty as anyone in rushing through the countryside on our improved road network, and not seeing some of the wonders of our beautiful island. The road between Tullamore and Clara was one I had often travelled, when a beam of sunshine illuminated a pair of ash trees I had not noticed before. They are two fields in, behind a farmyard, and after getting permission from the farmer I approached them with growing anticipation.
Surface roots of the first ash seemed ready to grab my ankles and pull me into if gaping cavity. The gargantuan tree did not look benign and, if I did not know better, appeared to be ‘Old Man Willow’ exiled from Tolkien’s Middle-earth. 
It stands on a mound of stones which are the remains of Tihilly church. Moss-covered stones and bark merge to create a trunk 7.6m in girth, a new Irish champion at the turn of the millennium. Since then its
cavity has become a cave, which has shrunk its girth to 7.18m. It supports a respectable storm-damaged crown, and at over 300 years old, is living on borrowed time. It probably started life as an opportunist seedling on the walls of the church, when it was abandoned in medieval times. Two walls remain standing beyond its grasping roots.
The second ash stands proudly clear of all this carnage, and is in the prime of life, ready to guard this religious site when the old brute is gone. It shelters a standing High Cross made from sandstone, which depicts scenes from the Bible, along with geometric and animal interlacing. St Fintan founded a monastery here in the seventh century. The last abbot served here in 936, while the church we see now was built from the stones of previous churches.
Ash trees have a special place in Irish folklore, and massive old trees have been venerated down through the ages. After the hawthorn, it is the tree most likely to be found at holy wells and sites of special significance.
Here we have a tree to rival those of the past and I hope to revisit it before it returns to Middle-earth."

Castle One Tree. Bawnboy, County Cavan
Castle One Tree
(Photo from Heritage Trees of Ireland book with the publishers kind permission)


Castle One Tree
(Photo from Heritage Trees of Ireland book
with the publishers kind permission)
‘Castle One Tree’ is a recently coined name given to an incredible old ash tree which is gorging on what remains of Lissanover Castle between Bawnboy and Templeport. Lissanover translates from Irish as the ‘Fort of Pride’, and the story goes that one of its occupants had a priest murdered at the altar because he had started Mass without him. In medieval times the castle was a stronghold of the ruling McGovern clan, and commanded views of the Barony of Templeport from Fermanagh to the Shannon basin as it fed into Lough Allen. 
Another account translates Lissanover as ‘Fort of Extravagance’; in this version a Baron McGovern was building the castle and had his tenants drive their cows to be milked at the castle every day, and the produce was used instead of water to make the mortar. BuIlocks’ blood was also used, and if anyone refused, the Baron had them hanged.
The McGoverns’ despotic rule did not survive the Elizabethan plantation, and the castle stone was recycled into the construction of Lissanover House in the 18th century. 
By the early 20th century, the mansion had suffered the same fate as the castle, and its stone was reused in the building of local farmers’ homes after the estate was divided up by the Land Commission.
Permission to view the tree from Martin Donohoe on whose land the tree stands is essential, as the grazing bullocks may have an ancestral memory of what happened to their forebears. Climb the hill until it levels off, and only bumps and hollows remain of the fort, except for the stout ash on its pedestal of stone. The trunk is over 7m in girth although it is not a conventional trunk, as many roots drop down from the original height of the wall where the ash seeded itself some 300 years ago. The tree’s height and spread is over 18m, and it is obviously thriving on its diet of blood and milk. It is clear why this tree was left well alone, for who knows what malevolent spirit might be released if it is interfered with? The McGoverns had the habit of imprisoning their opponents in wooden barrels with nails driven in and rolling them down the hill from this castle.

Below are two other trees that are stone bound which I have long admired. The first is an old crab apple growing out of a sold rock (an old mass rock I believe) close to my family home in West Cork.

Crab Apple tree, Mealagh Valley, West Cork. (Rock not very visible from this angle as grass has creped up over the rock on this side.) 
 The tree below is a lovely old Hawthorn growing through the wall at the 12th century St Doulagh's Well, in the outskirts of Dublin city. I love how the wall around the Hawthorn tree has carefully been maintained and repaired over the years to allow the tree to grow freely through the wall. It was actually visiting this site that  inspired me to incorporate the Hawthorn 'fairy tree' into the outdoor classroom project I created for the school in Donabate.

Hawthorn growing through the wall at the 12th century St Doulagh's Well

Planting the fairy tree in the outdoor classroom
The Fairy Tree in place

In regards to other Stone Hungry Trees, I also like this photo by Ken Curran of vines consuming a dry stone wall in Co. Tipparary

Vines consuming a dry stone wall in Co. Tipperary (Photo by Ken Curran of Earthstone)

Grave Yards are also great places to see stone eating trees.
Stone Hungry trees in Glasnevin cemetery in Dublin

If you want to see some funny hungry trees from around the world, you should check out this link http://hungrytrees.com/


You can see my previous posts for National Tree Week here.


There are plenty of events on around the country this week for National Tree Week. To find out what is happening in your area or to advertise your own event, check out the Tree Council of Ireland website http://www.treecouncil.ie/initiatives/treeweek2014.html

Thanks again to Collins Press  for allowing me to share the stories from their book. The Book Depository has the wonderful  Heritage Trees of Ireland book on sale at the moment with 39% off plus free worldwide shipping so click here to get yourself a copy 

Tuesday, October 1, 2013

Feile na gCloch (Festival of Stone) 2013 Inis Oírr Island

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So two weekends ago I made my annual retreat to Inis Oirr, the smallest of the three islands that make up the Arran Islands in Galway bay. Although this was only my third year attending Feile na gCloch (Festival of Stone) it feels like I have been coming here for many years. Despite the fact that I was born and raised in west Cork, arriving on the island I get an relaxed feeling of familiarity and a sense of coming home. 
This is the effect this island has on you. It is a world of its own. You won't find any road rage here, no 'zombies' walking into each other as they seem to be unable to lift their heads out of their smart phones, no news flashes of our pending doom. Here modern life dissolves and becomes insignificant. If you want to go somewhere here, you walk. If you pass someone on the road, you look into their eyes and say a friendly hello. And if you want to know the news you go to the pub for a chat.    

My annual visit to Inis Oirr is of course not just to bask in the exuberance of island life. It is also to attend the Feile na gCloch (Festival of Stone). 
The festival is organised and run by the country's most knowledgeable and experienced drystone waller, Patrick McAfee, in conjunction with the wonderful Marie Mannion, Heritage Officer of Galway County Council and Paddy Crowe, manager of the Inis Oirr Cooperative.  

Under the instruction of Pat McAfee and Scottish master craftsman George Gunn, this years participants constructed a 130 feet section of wall in just two days. The style of wall built was a Feidín wall, a wall unique to Ireland and this part of the country in particular.  
A mix of both armature and professional stonemasons working on the wall. 

Scott Hackney co-director of Stonefest in Seattle also returning for another Feile na gCloch   

George Gunn and Donegal DSWAI member Rónán Crehan smile for the camera (well Rónán dose at least)
Capping off the double wall with a large single course

In just two days the 130 foot long Feidín wall is complete 


This year's Feile na gCloch was bigger than ever, with the addition for the first time ever of a stone sculpting and letter carving workshop run by two master carvers from America Alexandra Morosco and Karin Sprague
Alexandra giving Rory a few pointers on a block of native island stone. 

Artist and regular Feile na gCloch goer, Louise Price swaps the paint brushes for  hammers and chisels for the weekend



Karin and Aexandrea also got to leave their own mark on the island by creating this stunning memorial for the islanders to commemorate all those who lost their lives at sea.
Photo courtesy of Karin Sprague
Literally working on top of each other, they managed to transform this local coastal boulder into a moving tribute in just three weeks.

The stone depicts a traditional Irish boat a 'Currach' being engulfed by waves.

The stone now sits just meters from where it lay, on the north west  side of the island.
"Maireann a gcuimhne fos i m' aigne" "We will always remember them in our mind." Photo courtesy of Karin Sprague


The wall built during the festival was already completed on the Saturday, which gave people the opportunity to go on a guided walk with Pat McAfee to explore some of the wonderful wall styles on the Island. In fact it is believed that almost every style of wall can be found here including countless unclassified ones.  


I tend to spend a lot of time walking around the island when I'm here. This year I was taking particular attention to some of the amazing textures and patterns in the walls.

Maybe it was the Guinness from the night before, but stare at some of these walls long enough and they almost seem to move and become fluid. 

Textures in stone

And thus, Feile na gCloch 2013 comes to an end , and with a heavy heart and a heavy back pack (as a result of the new Throw and Holden 'Stone buster' hammer I acquired over the weekend) I leave the island with one final panoramic view form our little seven seater plane back to the mainland. 

Touching down at Connemara Airport after our six minute flight, reality sets back in, and I get back into my motorised vehicle and propel myself back to the city. 

Sunday, July 14, 2013

The Gathering of Stones in the heart of Ireland

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After months of anticipation, stones, masons and dry-stone enthusiasts from the four corners of Ireland as well as the rest of the world came to a head in the center of Ireland.  
June 20th 2013 marked the beginning of The Gathering of Stones.
Stories were shared, songs were sung (and written) and monuments were built.
  
Just like the cross marked the spot in the posters, the 'Emigrant Stones' mark the centre of our dry stone monument.

From the beginning.

Last summer after Feile na gCloch on Inis Oírr, Tomas Lipps, director of The Stone Foundation stayed with me while doing fieldwork for his publication Stonexus magazine. Over a few pints of the black stuff one night we discussed the possibility of the DSWAI and The Stone Foundation collaborating on a event in Ireland. At almost exactly the same time Nick Aitken of the DSWA in Scotland contacted the us suggesting that this being the year of The Gathering Ireland, we should build a monument in the center of Ireland to commemorate this in a way that also celebrates the craft we all love so much.
It was these early conversations that sowed the seeds for what would become 'The Gathering of Stones 2013'
The concept for our monument.
Our primary idea was to create a gathering point for people to congregate, a circle seemed the most appropriate shape to begin with.  
The bi-vallate  (twin walled) enclosure also reflects Ireland's built heritage.  The ringfort is the most common archaeological site to be seen in the Irish landscape. The status of a ring fort is not only evident by its diameter but more significantly through the number of rings it contains.  Therefore, a bi-vallate enclosure would often be the seat of the local lord or the central focal place for a network of ring forts which formed a community.
The outer wall symbolises the 4 provinces.  Thus the Island of Ireland and all its people, with its many varying ways and vernacular styles, forms a comforting embrace around the 5th province. That fifth province once had a physical existence here in the Iron Age and was known as Breifne.  However, the King of Breifne (Michael McMurtaigh) was driven from Ireland after attempting to unite the country under a single monarch.  In addition, in this structure the fifth province also represents the individual, creativity, imagination and the Diaspora.
The structure represents the country of Ireland and a welcome home to the people who left and never returned.  The outer walls embrace the creative mind, the millions of souls and talents who left our shores and spread their skills far and wide. 
It becomes entirely appropriate that the 'Emigrant Stones should be laid in cruciform shape at the centre of the sculpture embracing people from all corners of the world       


A crest for each province.

The monument includes the crest of the four provinces (60x 60cm). Four DSWAI members who are also stone carvers donated these carvings to the monument. 
Alex Panteleyenko working on the Ulster crest, with a bit of help from Christian Helling

Victor Daly's carving of the three crowns of Munster was carved in Valletta Slate. Alex's red hand of Ulster was carved in Donegal Sandstone. Julia's Harp of Leinster is carved in Tipperary blue limestone and the Connacht Crest of arms was carved by Christian in Liscannor sandstone.   
The four finished crests. (from left, Victor Daly (Munster), Alex Panteleyenko (Ulster), Julia Gebel (Leinster), Christian Helling (Connacht) 
To build a dry stone monument, you need a hell of a lot of stone!

The completed structure will consume an estimated 300 tonnes of stone. As you can imagine, the logistics of getting 300 tonnes of stone from the four corners of Ireland and beyond to our central location is no mean feat. Trying to do this without any funding seemed like an impossible task. After the crushing news that the review board for 'The Gathering' in County Offaly refused to pass our application to be funded as a 'Flagship event', the outlook for our event looked very bleak. However the DSWAI decided to take a leap of faith and call on the people of Ireland to help us make this event happen.

A call for stone was made, and the proud farmers and quarrymen of Ireland answered.

Thomas Egan, Rodger Degan, Mick Connelly and Padraig Larkin  (missing from  photo Don O’Boyle) collecting local Boora limestone donated to the project by  Joe Molloy. Photo Ken Curran. More about this stone here
Quarryman Brian Kerrigan & haulier Padraig Meehan loading Brian’s donation of a truckload of Drumkeelan stone from Donegal. Photo Louise Price. More about this in Louise's blog post here 
Stones from the four corners of the world.


As part of the event, attendees and the public were invited to bring a stone home to Lough Boora, to become part of the monument. It was wonderful to see how the public took to the project, bringing stones and stories with them. Many people have connections with stones and many of us have taken a stone with us from a place we have made a connection with, be it a pebble from a beach or a stone from a mountaintop. It is these connections with stones that made the whole event emotionally charged and it is only as these stones and stories began to collect on site that the importance of this monument really started to sink in with those building it.
Katherine with her stone from Coolanarney, Blueball, Co.Offaly. "Katherine – who brings a stone from her old home place, now a tumbled memory.  As a child she ploughed and thatched alongside her father, and carried stones to pile atop of walls of ancient fields.  It means everything – her stone" Photo and quote from Louise Price's blog Limewindow
    Stones from New York and Wales

There are also a number of historically significant stones have made long journeys over land and sea to be incorporated into the monument. The most poignant of all is the four 'Emigrant stones' from Battery Park in New York. For millions of emigrants, their first steps in the New World would have been onto these stones after registering at Ellis Island, including nearly everyone from Ireland during the famine years and after.  These stones seemed to really capture the public's imagination, with a constant stream of visitors throughout the four days having their photos taken standing on them.

These stones had a long journey, starting back in the early 1800's when they were quarried in various parts of New England to become part of the emigrant docks at Battery park that date back to the 1700's.
Removal of  the 'Emigrant stones' from Battery park in 2002
The arrival of the 'Emigrant Stones' from New York at Irish Shipping and Transport's depot in Dublin.
Read more about the arrival of the 'Emigrant Stones' here 
Here they lay on the rivers edge until their removal by RJW Campbell during the reconstruction of Battery Park in 2001. When the president of RJW Campbell, Bobby Watt  heard about the event, he immediately offered these stones to the project. Bobby, a Scottish stonemason and Stone Foundation Member based in Canada is also a fine songwriter and singer. In the video below he tells the story of the stones and also signs the poignant "Whispering Stones" a song he composed after being inspired by the event. This song brought a tear to many an eye when first played at "Stories and Stones" and again when reprised by Rónán Crehan at the conclusion of the 4 day event.


Stones from the DSWA UK Wales branch

Sean Adcock setting the Welsh
sleeper stone in the central feature. 
We were also lucky enough to have Sean Adcock join us for the event.  Sean is a DSWAUK master Dry Stone Waller and Secretary of the North Wales Branch of the DSWA. He has prolifically produced books and papers on the craft of dry stone waling and standards in the profession over the years. Sean is the editor of Stonechat magazine amongst many other contributions to the world of dry stone building. He also oversaw the building of the central feature over the course of the event. In the months leading up to the event Sean helped behind the scenes with working out the structural details of the inner structure.

The DSWA also wanted to donate a stone to the project, Sean was also involved in the organisation and transportation of two stones from Wales to Lough Boora.
Originally Sean was working on getting a boulder from the birthplace of Saint Patrick in Banwen (near Neath, South Wales) but when the logistics of this became impossible, he managed to find two other historic Welsh stones with an Irish connection to bring with him. These were a sleeper stone from the Ffestiniog Railway and a stone from the old Breakwater Quarry.

The Ffestiniog Railway stone
Fred Howes, Chairman of Ffestiniog Railway Heritage Group at the Railway's Minffordd Yard alongside the granite sleeper stone donated to the event. Photo Sean Adcock
The Ffestiniog Railway started life as a gravity/horse drawn tramway built in the 1830s, to provide a transport route from the Slate quarries of Blaenau Ffestiniog to the port at Porthmadog, a distance of over 13 miles.The creation of the tramway was made possible largely through Irish investment. The original tramway rails were secured to stone blocks, with around 4000 to a mile.  When the tramway became a narrow gauge steam railway in the 1860s - the world's first narrow gauge railway built to haul over a longer distance than just short shunting.  At this point much of the track-bed was widened and the a new rail/sleeper system introduced.  Many of the stone blocks were incorporated into the new trackside walls.  One of the original granite blocks has been donated to the Gathering of Stones by The Ffestiniog Railway. Read more about these stone in Sean Adcocks article here
The Ffestiniog sleeper stone built into the inner structure of the monument.
 The Breakwater Quarry Stone
View of the breakwater from Holyhead Mountain and extracting the stone to bring to Lough Boora. Photos courtesy of Sean Adcock
Holyhead is the main port in North Wales and provides a direct link with Dublin via the Stena Line and Irish Ferries.  At 1.7 miles in length, Holyhead breakwater is the longest in the UK. Started in 1845, it took 28 years to complete and consumed over 7 million tonnes of stone quarried from nearby Holyhead Mountain.  These quarries now form part of Breakwater Country Park.
 The last blasted rockfall remains alongside one quarry face  and a stone from alongside this has been donated to the gathering of Stones by Breakwater Country Park/Isle of Anglesey County Council with the permission of RSPB and NRW. Read more about these stone in Sean Adcocks article here 

The founding members of the DSWAI Fran Coady, Ken Curran and Waldemar Wower move the Welsh Breakwater stone into place in the center of the Munster wall during the Gathering of Stones. Photo Louise Price
Building the Gathering of Stones
Pinpointing the center of the monument. Canadian Stone Foundation member Tom Parkin with three of the GoS organisers, Nick Aitken, Sunny Wieler and Ken Curran. Photo Fran Coady.    
Not only was there a great mix of sunshine and showers over the weekend, there was also a great mix of professional stonemasons/drystone wallers and amateur stone enthusiasts. The public too became very captivated by the event with a constant stream of spectators arriving over the weekend, many bringing a stone with them to be incorporated into the monument. This vibrant atmosphere around the site quickly warded off any threatening rain clouds, and kept the morale on site high.
Project manager Ken Curran points with resolution as project managers do so well.
Work begins on the Ulster wall
Donegal DSWAI member Rónán Crehan leading works on the Ulster wall

Scottish master craftsman Nick Aitken chats with
Helmut Schieder from Austria,
Tom Parkin of Canada and Irish man Damian Williams

Looking through one of the entrances. Ulster wall on the left, Connaught on the right.
John Lyons of Irish Shipping and Transport standing on one of the 'Emigrant Stones' he helped get across the Atlantic Ocean from New York to Lough Boora.   
Work progressing well on the boulder wall of Leinster in the foreground
A great weekends work. Will post more when we return to finish the structure in the coming weeks.

A wonderful weekend. Thanks to all those who came and gathered stones with us for the weekend.  
A BIG Thank you from the DSWAI
 'The Gathering of Stones' as the first major event of DSWAI was a real success with much being achieved.
One thing which was important to the committee was that the participants enjoyed the experience and went away with a sense of having achieved something. We feel that this goal was achieved and feedback from all the folk who took part has so far been very positive, with quite a few itching to get back to help put the finishing touches to the sculpture.
The Gathering of Stones is a concept far bigger than the collecting of rocks to build a sculpture. It is as much about people as it is about anything else.
Perhaps, even more so?
This was quite evident during the course of the 4 days during which the event took place with the arrival of many people from around the country to place a stone at the site or within the walls.
The imagination of people has been captured by the project.
I believe one of the reasons for this is because 'real' people have been involved in the development of the project from day one.

Thanks to all those who contributed by investing their ideas, time, stone, resources, money and belief in the project. We give you all our assurance that we will bring the project to completion soon.

With the appeal out of the way there are many many people the association wishes to thank from deep in our hearts.

Those people are:
  • The builders;
Padraig Larkin, Christian Helling, Ronan Crehan, Louise Price, Oisin Price, Eddie Farrelly, Nick Aitken, Sean Adcock, Sunny Wieler, Ken Curran, Joanna Williams, Lucy Warmington, Barry & Jacob Noyce, Frank Gleeson, Eamonn Carthy, Thomas Donnelly, Cait Fealty, Caitriona Fealty, Tom Parkin, Michele Carini, Richard Schrade, Victor Daly, Waldemar Wower, Fran Coady, Damian Williams, Karl Kennedy, Sandro Cafolla, Dariusz Jurkiewicz, Seamus May, Mark O’Loughlin, Malachy Sheehan, Helmut Schneider, Alex Panteleyenko, Charlie McFadden, Scott Hyslop, Shaun McFadden, Anne Holland, Simon Hickey, Lynne Hoare, Herbert O’Toole, Liam Friel and Liam Walsh
  • The organising committee of;
Nick Aitken, Tomas Lipps, Sunny Wieler, Eddie Farrelly, Ronan Crehan, Alex Panteleyenko, Ken Curran and Francis Coady

  • For contributing the Emigrant Stones and writing Whispering Stones Bobby Watt (RJW Cambell). You gave the boys a real lift.

  • For making sure the Emigrant Stones got to Montreal from Ottawa Danny Brennan and Pat Kelly.

  • For getting the Emigrant Stones across the Atlantic.
     John Lyons (Irish Shipping and Transport)


To the carvers for producing the four wonderful provincial crests:

To all those who donated stone to the project:
  • DSWAI members would like to thank DSWA Wales Branches members for donating the quartzite boulder from the breakwater quarry at Holyhead and the railway sleeper block from the Festiniog Railway, delivered by hand through Sean Adcock.
  • Mick Kelly (a proud Connacht man from Roscommon living in nearby Kilcormac) for the many tons of Connacht limestone he hand-picked and delivered to us.
  • Rodger Deegan for the hours and hours of work he has (and continues to) put in to the project, plus the huge volumes of stone he donated. We could not have done it without him. 
  • Niall and Michael at McKeon Stone in Stradbally for the beautiful dimension stone which will form part of the arches and building stone in the central feature as well as to be used in seating areas.
  • McMonagles  from Mountcharles in Donegal. For supplying the quartzite used in the Ulster wall.
  • For donating a truck load of Sandstone for the Ulster wall Drimkeelin Sandstone from Donegal.
  • David O'Connor of Liscannor Flagstone for donating building stone and those wonderful slabs of Liscannor to be used as further seating areas.
  • Joe Molloy (local farmer) for donating the fine Boora limestone from his farm.
  • The Sculpture Parklands staff, Thomas Egan, Rodger Deegan, Don O’Boyle, PJ and Mick Connelly. For believing in the concept, for their continuing support and enthusiasm through the grounds staff. For preparing the site so well and providing facilities for people over the weekend. Also, for excavating so many tons of lovely blue limestone used throughout the project.
  • Don O’Boyle for making the profiles and scaffolding and any other steel works we required.
  • Pat Dooley for hunting high and low in search of stone for the project. Many thanks Pat.
  • Tony Maher of Maher Stone Stradbally for donating (and delivering) the bags of lovely green Sandstone.
  • Kilkenny Blue limestone for giving us a small bit of their waste off-cuts.


Local Boora stone being
delivered. Photo Ken Curran
To those who helped with transport:
  • Thank you to Sean Fox for transporting the Emigrant Stones from Irish Shipping's depot in Coolock to Lough Boora.
  • Thanks to Donal from Roscrea Express for moving stone for the association free of charge.
  • Thanks to Pauric and Enda Meehan of Meehan Brothers for hauling all that stone down from Donegal (close to 50 tons!).
  • Rodge Deegan and Mick Connolly of Bord na Mona for hauling all that stone from Cadamstown to the site.
  • To Bord na Mona themselves for moving the Boora stone from Jo Molloy’s farm and from various locations including McKeons in Stradbally as well other places locally to the site.

To those in the media who helped with promoting the event:
  • Karen O’Grady from the Midland Tribune
  • Katriona McFadden, Fergus, Derek, and all on RTE Radio 1’s The Mooney Show.
  • Rebecca Kelly and the Irish Hospice Foundation for inviting us to be a part of their book on gathering events.
  • Jim Finn at Tipp Fm for having us on the show
  • Thanks to Paul and all at Brix Workwear for donating our safety gear.
  • Thanks to Banagher Concrete for saving our lives with the heavy gauge re-inforcing bars to make our profiles for the inner valette.
  • To Kitty Curran for all her help with sending out endless press releases, letters and for her continuing help behind the scenes.

  • Many thanks to Tom Parkin, Tori and Christine for running the shop, meeting the public and being the information point for people.

  • Thanks a million for Tori for looking after the catering.

  • Thanks to Barry Bryan for cooking and serving the lunches.
  • A big thanks to Sean Corrigan (Corrigan’s Bar, Ferbane) for bringing us water, drinks, snacks and lots of delph and cutlery for serving the food onto.
  • Thank you to Dooleys' Hotel and The Maltings B&B, both in Birr, for looking after our participants very well and offering them generous discounts on accommodation and food.
  • A big thank you to all those who donate money or came down to the site and offered us words of encouragement or contributed a stone.
  • The organizing committee would like to thank very much their spouses, partners and family members for the support, patience and encouragement during the planning and delivery of the event. We love you all very much
Stones bearing names of loved ones.

It should be noted that it is far from too late to be involved with this project.
Whether it’s:
donating stone for building
helping with transport
getting involved in the building
or even digging into your pocket to make a financial contribution.
We still do not have funding and every little bit (really! anything! even as little as €5) will help to push this forward.
Get involved, be a part of it.
Don’t look back and regret not having contributed something to this ground-breaking moment for Irish dry stone construction.
It is pretty amazing what has been achieved considering that we have had ZERO financial backing for this event. Funding is something that we do desperately need so please consider donating what ever you can. 


We also have a small number of the hugely popular Gathering of Stones Tshirts available for purchase. These limited edition Tshirts cost €20 plus postage and packaging. All proceeds of the Tshirts go to funding the Gathering of Stones event.

Tshirt with Postage and Packing
Size


If you wish to visit the monument, it can be found in the Lough Boora Sculpture Park between Tullamore and Birr in County Offaly. View The Gathering of Stones, Lough Boora Parklands in Google maps (GPS Coordinates +53° 13' 5.59", -7° 43' 34.37"