The amazing flowing stonework of Michael Eckerman

Safebreak Wave Wall, Santa Cruz Mountains

It’s not very difficult to see why Michael Eckerman and his stonework is loved by the surfing community, building stone features for many of the great surfers, and even getting featured in The Surfer's Journal back in 2007.

Bored with traditional stonework, Micheal’s creative nature has led him away from traditional design. Attracted by the flowing aspects of tectonic upheavals of lava flows that he observed in his travels, he began forming his own signature style of stonework, a style heavily influenced by these lava flows, as well as the movement of wind and water. 

Safebreak Wave Wall, Santa Cruz Mountains

Hailing from Santa Cruz, California, Michael Eckerman has been forming his own signature style of stonework since the 1970’s.

Forty years of building with stone has allowed him to expand his imagination and develop the free flowing type of stonework that he is known for today.

Michael Eckerman

 Like many ‘stonies’ Michael isn’t quite sure how he got into stonemasonry. There was no apprenticeship as such, although he learned much about what makes stonework strong and the principles of structural integrity while collaborating with an influential  builder from the ’60s and ’70s, called Ken Kern. 

He also recalls one of his first building ventures being a cabin he built with a friend in Quebec back in 69.

Even from the magical entrance to Michael’s home (a fantastic combination of stone and driftwood that seems to flow so naturally and playfully), it is clear that this is a home that lives and breathes art. And not only by Michael’s hand, for here creativity is a family business. Micheal’s wife Karen is an arborist, while his younger son Wes explores his creativity through photography and his older son Ea Eckerman expresses his creativity through both graphic art as well as sculpture. 

Pine Arch with Drift Wood

 

In the article by The Surfer's Journal, Michael tells a bit about the creative process of his work.

M. Eckerman beside his piece ‘Ledbury Tree’

"Each project is different, but the forms come through with a similar telegraphing message: flowing harmony. The stone suggests its form, he says. There’s not a lot of planning in his projects, no detailed drawings, maybe some chalk lines sketched on a wall. A flagstone forms a bench in a barrel. A helix has two platforms on opposite sides of the spiral—one for you, another for your sweetie.

The rock calls for touch. Natural, somehow, that stone should represent water. There’s good workmanship in all of it too: steps built to code, walls built to stand for centuries, ascending fireplaces around which the houses rise. Michael works with materials from the region he’s building in, whether it’s granite in the Sierra or lava rock in Hawaii. “If you knock it around in the surf for a thousand years,” he says of lava rock, “it gets interesting—very smooth, blue in color.”" [From article 'Natural Fit' in The Surfers Journal 2007]

Lebury Arch

In addition to stone, Michael accents much of his work with other materials, like brick, tile, glass, ceramics and metal.

Ceramic & Stone arch wall

Those of you who read my blog regularly will know my passion for creating stone benches. Well, Michael too has built some stone benches, but probably not in the way to which you may be accustomed. Check out this art project he did for the city of Menlo Park, California. Titled ‘Convertibles’

Convertibles

Micheal is currently working on a series of stone dog sculptures. It is interesting to see him use these same flowing stonemasonry techniques in a new more miniature and intricate way.  

Valcor- stone dog w:stacked driftwood

Guard Dog

 Michael has a vast and fantastic portfolio of work, so I suggest you check out his website www.eckermanstudios.com/ if you would like to see more. I have not even mentioned his absolutely stunning fireplaces and chimney stacks, so impressive in fact that they justify a blog post of their very own, which I will post later on in the year.  

Safebreak Wave Wall, Santa Cruz Mountains

 A big thanks to Michael for taking the time to send me the photos and information for this post. If you are interested in seeing the the article 'Natural Fit' from The Surfers Journal, you can purchase a download-able copy of the article from their website here 

Sources 

2010 Artist Bio written by Michael's daughter Rosie.

http://www.eckermanstudios.com/

The Surfers Journal 2007 article 'Natural Fit'

Theater in the garden

Garden Theatres

Although there are many grand Garden Theatres and huge impressive amphitheatres out there in the world, they are not something you find very often in normal residential garden design. They are however, something I like very much. So I will leave the many grand garden theatres and the huge impressive amphitheatres for another post for another day.

Today I am going to talk about the intimate and sometimes modest (but just as effective) garden theatre.  

Bonfire Garden, Hagal Farm

Growing up on my parents farm in West Cork, we had a garden stage, but as you can seen in the picture across, it is now quite overgrown and a little neglected (although this in itself gives it a certain charm)

The stage made up part of a bonfire garden and back in the day, there was many a party held here.

West Cork is well known for being full of fine food and culture, so back then there was no shortage of  fine musicians to prop up on the stage (these would often overflow onto the simple timber seating that surround the fire pit). To the left of the stage was a round concrete pad reserved for dancing.

At night the garden would take on a very different atmosphere, as you went from being in an open outdoor garden into what seemed like an intimate enclosed space. One got this sense of enclosure as the light from the fire illuminated the trees that surrounded and arched over the entire area, hiding all that lay beyond.

   

A lovely garden theater at the Everglades Gardens, Leura, Australia.

I also love this garden theatre I came across in the Everglades Gardens in Leura, set in the amazing surroundings of the Blue Mountains in Australia.

The golden pyrmont sandstone arch which forms the dramatic backdrop to the stage was originally the recessed entrance to the London Chartered Bank of Australia on Sydney’s George Street. The arch is flanked by tall hedges clipped formally to form the wings of the stage.

Author Shawna Lee Coronado's Garden Stage

Another one I like for its sheer simplicity and functionality is this one by author Shawna Coronado. On her blog ‘The Casual Gardener’ she wrote about how the answer to her garden dilemma was resolved by creating this lovely little garden stage.

It is also a great example of how you can create an interesting garden feature on a small budget.

When having a rainwater collection system installed in her garden, she was left with a huge mound of soil from when they dug the hole for the tank, and of course this soil had to go somewhere! She did not want it to go to landfill so she decided to make a feature out of it. Even on a tight budget she managed to create a lovely little feature out of it. The four large tiles make up the stage, which regularly features her 10 year old daughter performing her latest stage show. It is also a spot where a musician might perform during a garden party. You can see her post about this here http://thecasualgardener.blogspot.com/2010/12/how-i-transformed-mound-of-dirt-into.html

Mainly because of my passion for stone, one of my favourites is this here, at Dick Schwab’s Celebration Barn near Solon in Iowa.
This amazing amphitheatre has an impressive dry stone arch, built with Anamosa Limestone from near Stone City, and has an impressive internal radius of 16ft (4.8m) weighing in at about 65 tons.

 The celebration barn often hosts weddings, the ceremonies often held underneath the mighty arch.

The stone arch and amphitheater at the Celebration Barn, Solon, Iowa. Photo by Eric Whittlesey

The arch and amphitheatre were built by ‘Country Stone Masons’. Fellow Stone Foundation member Eric Whittlesey who works for ‘Country Stone Masons’ told me a bit about the construction process, and was nice enough to share these photos as well.

Photo by Eric Whittlesey

The curved seating of the ampitheatre itself is also made with Anamosa Limestone, each stone meticulously chiselled to fit tightly to its neighbour. The area can seat over 300 people.

Photo by Eric Whittlesey

Photo by Eric Whittlesey

All 68 stones that make up the arch, some weighing as much as 1.5tons, had to be painstakingly carved into the angle of the arch.

On of the most fascinating thing about stone arches is the physics behind them, and the fact that the procedure to build them has hardly changed since Roman times back in the 10^th century.

The shear downward force of weight (all 65 tons of it) combined with the angles of the wedge shaped stones or ‘voussoirs’ means that the stones are almost welded together, evenly spreading the weight down both sides. 

For these reasons the arch does not require any mortar to hold it together, however for peace of mind the stones were pinned together so that the masons could sleep soundly without having any nightmares about brides tragically being crushed by stones on their wedding day! 

Completed arch with form still in place. Photo by Eric Whittlesey

For the form that supported the arch as they built it, they used massive cotton wood timbers, which were stacked on top of each other as the build progressed. Then when the key stone was set in place, the most anticipated part of the build could be performed, this of course being the removal of the support form. I remember removing the form from the first large arch I built. As I was pulling it out, my brain kept telling me 'Of course it will stay up, there is absolutely nowhere it can go’  however its still a nerve-racking moment!

The stone arch and amphitheater at the Celebration Barn, Solon, Iowa. Photo by Eric Whittlesey

Stone Woman, Thea Alvin

Stone Artisan Thea Alvin

A while back while visiting Jan Johnsen landscape gardening blog 'Serenity In The Garden' (a blog I highly recommend checking out if you don't know it already) I saw this photo (derectally above ↑) and at first glance, thought it was a piece by Andy Goldsworthy. I quickly discovered that this fabulous piece of stone art was not the work of Goldsworthy but of Vermont Stonemason/ Artist Thea Alvin.

Thea has been a professional stone mason for 25 years, and uses the dry stone stacking techniques learned from master masons around the world to create sculptures and natural landscape installations. She admits to always being a bit of a 'tomboy', apparently (in her own words) "When other little girls were playing with dolls... I was eating my 15 pounds of dirt." 

Thea wants to travel the world, leaving works of stone art behind her, and to date, she is doing a pretty good job of that. Besides creating works of art all over North America, she as also created works in England, France, Italy, Canada and while cycling around China she managed to find the time to build ten arches from bricks, tiles, slate and marble.

 

I believe that my hands are smarter than I am, and that they operate on their own, and bring me along for the adventure, and to take notes about what we did together while we were there.

Besides creating works of stone art, Thea is also an instructor at the Yestermorrow Design/Build School in Warren, Vermont, where she is running courses in 'The Art of Stone' and 'Masonry Restoration'. She is also in the process of writing a book.
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In my last post I talked about 'Stone Balancing' above is Thea's take on the art of stone balancing.

  

 

Thea Alvin has a huge and impressive portfolio of work, check out the rest of her work on her website www.myearthwork.com.

All photos in this post are from Thea's website, A big thanks to her for her kind permission to use them for this post.

The art of Stone Balancing

Real or Photoshopped?

Photo and Sculpture by Bill Dan©

The first time I saw this photo I really didn't know. I came across this photo a while back, it was posted on the web somewhere by someone, and a lot of the comments underneath it branded it a fake and put it down to photoshop trickery, as surely balancing stones like this is impossible? 

Well I wanted to believe it was real, but also needed some convincing. It was only after finding the creator of the photo Bill Dan and saw one of his You tube videos of him at work that it all became clear.

Photo and Sculpture by Bill Dan©

Bill Dan spends much of his time on the waterfront shoreline of San Francisco Bay, which offers ample opportunities for rock balancing. Large quantities of erosion control material called "stone riprap" have been placed to prevent storm and tidal damage. The perfect place for Bill to practice and demonstrate the amazing possibilities in the interactions between rock and gravity.
It is here that Bill developed, practiced, and continues to share the delightful, astonishing, and even inspirational sculptures he constructs with the varied forms and shapes available to him at the water's edge.

Bill Dan at work

Photo and Sculpture by Bill Dan©

Photo and Sculpture by Bill Dan©

Check out this video of Bill at work to see it for yourself

A little closer to home, artist Adrian Gray practices the art of stone balancing along one of the most famous and beautiful coastlines in the UK, the Jurasssic Coastline of Dorset.
Adrian also combines the art of stone balancing with the art of photography, creating enchanting photo prints for people to purchase from his website.
 

Photo by Adrian Gray © (prints available from his website)

As if the stone sculptures were not amazing enough, Adrian also brings various moods in his prints, by incorporating things like movement and lighting.

Photo by Adrian Gray © (prints available from his website) 

All the stones in these pictures are balanced, strictly without the aid of adhesive, pins or computer manipulation. They remain in place through the natural force of gravity and friction. ‘Nature’s glue’ sustains them in these seemingly impossible positions and it is the capricious natural forces of wind or waves that returns them to obscurity amongst their fellow boulders.

Adrian Gray

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Check out the video below to see Adrian talk about his work

 Thanks to both Bill Dan and Adrian Gray for their kind permission to use their photos and videos for this post.

Stone River, by Landscape Architect and Stonemason Jon Piasecki

Stone River is a project by award wining landscape architect and stonemason, Jon Piasecki.

Jon Piasecki is a graduate of Harvard University (with a Masters in Landscape Architecture in 1995), and Cornell University (with a B.S. in forest ecology in 1989). In 2004, he received the Prince Charitable Trust Rome Prize awarded by the American Academy in Rome, and was in residence at the Academy in 2005.

Photos By John Dolan, 2009

For this project Jon was commissioned by prominent landscape architect Michael Van Valkenburgh to build a series of paths through the woods. For many people this task would be done using practicality and functionality, but for Jon, there is much more to it than that.

Jon at work, on Stone River

Jon Piasecki is a very interesting and philosophical man, with a strong personal and professional interest in ecology, and the cultural importance of the land.

In an interview with Orion Magazine, Jon tells of how his aim for this project was to ‘catch people’ coming into the woods, and by way of the stone paths, show them how to slow down a take in all the magic and beauty in the woods, something that many people, living life at 60mph ‘married to the materialistic world’ fail to see or do.

The stones in the path are almost fused together by Jon’s fantastic skill and passion for the project. He would spend hours meticulously shaping each stone until there is just a hairline crack between them.  

I highly recommend checking out this fantastic video by Orion Magazine, in which you can see Jon Piasecki working on the project, and listen to him talk about nature, the woods, and his multi-year stone works project in New York State — Stone River.