Showing posts with label mosaics. Show all posts
Showing posts with label mosaics. Show all posts

Thursday, July 21, 2011

Making a mosaic

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Click here to see a video of the building of this project
Here is a picture of a project I recently finished for an artist in West Cork. The mosaic in the center was actually a bit of an afterthought. The seating area was initially designed to have a fire pit in the center but later the client decided against the fire pit. I still wanted to have some sort of central feature, so I decided to put in a mosaic instead.
 I have been getting a lot of reaction to the mosaic I made for the center, I also have been getting some feedback from readers saying that they would like to see some more DIY projects posted on the blog. So I thought, why not show how I made this mosaic so people can give it a go themselves. 
Natural stone mosaic
I am in fact going to show two different ways of making mosaics. The first is made the more traditional way, using floor tiles of the same thickness, and the second way (which was a bit of an experiment) involved making a sort of upside-down mosaic cake!  

Mosaics are relatively easy to do and are a great project to get the whole family involved in. They make great features in a garden patio, on a wall or in a summerhouse. Anyone who has been to Gaudi’s, Park Güell, in Barcelona, Spain will know the endless creative possibilities with mosaic art.
The first mosaic I will demonstrate is the more conventional tile mosaic. This type of mosaic can be pre-made and slid into place later. This method is great because this means that it can be made on the kitchen table where the whole family can get around and be involved, it also means that it can be completed over a period of time.

This is in fact a mosaic I did for my parents some years back, I was finishing up a tiling job when I realised we were going to be short of tiles, the tiles were relatively cheap so the boxes came with many broken tiles. So I thought why not put the broken tiles to good use and make a mosaic (and save a trip to the tile store in the process).

So here are a few things you will need if you are going to give this a go!

The first step is to decide on your design, in my case it was a yin yang symbol, but be as creative as you like. Or if you are lacking inspiration, you can also find many mosaic designs and templates on the internet.
When you have decided on a design, transfer the design onto your sheet of plywood to the scale you desire.
Next stretch plastic wrap over the board (this will prevent the mosaic from sticking to the board). Then lay your tile mesh on the board. Use some tape or tacks to keep the mesh in place. If you are finding it difficult to see the design you may want to retrace the design onto the mesh.
If you are using old tiles try and use tiles of the same thickness as it will give you a more even finish. Also take care when breaking up the tiles as the tile fragments can be sharp, be sure to wear gloves and eye protection. It is also advisable to lay an old towel over the tiles as you break them to prevent the fragments from flying around the place.

Now you are ready to start laying the tiles. Using your paint brush put a blob of PVA glue on the back of each piece of tile as you position it on the mesh. (you want to be using enough glue to get a good bond with the mesh without getting to much excess glue squeezing out the sides and through the mesh)
 It can be quite tedious getting all the pieces to fit together like a big puzzle, but try not too worry about the gaps between the pieces as once they have been grouted you won't notice the gaps.
To fix the mosaic in place, get some tile glue either premixed or in powder form (just be sure that the glue is suitable for exteriors if the mosaic is outdoors, rapid set is also preferable). Using a tiling trowel spared an even layer of glue on the surface where the mosaic will sit, then carefully slide the mosaic into place. Lightly press down on the mosaic so that the glue starts to push through the mesh but try not to get it coming to the surface. Wipe off excess glue and leave to set. Once the glue is set to the manufactures specifications, mix up your grout (again make sure the grout is suitable for outdoors)  and squeeze into the gaps with a squeegee and remove residue with a sponge when it starts to set (usually only takes a few minutes). And there you have it, one finished mosaic!

So now I will show you the process I used to make the spiral mosaic for this seating area below.
Click here to see a video of the building of this project

So this mosaic was a bit of an experiment because I needed to make it off site, but I could not make it the conventional way (as above) either as I would be using natural stone which would be of variable thickness resulting in a very uneven finish so I decided I would try and make it similar to an upside down cake, that way the finished mosaic would be perfectly smooth and even.
Hole left in paving for mosaic
There are probably better ways of doing this, but I will now demonstrate the process I used to make this mosaic, using the materials I had to hand in my little garden shed.
So first of all, I knew I wanted to make a spiral and that it had to be a circular shape just under 80cm in diameter as this was the size of the hole I left in the paving for it.
I also wanted to use the same stone I used to create the surrounding paving, so before leaving the site I collected a number of pieces of stone averaging a thickness of about 1cm. In order to get a clear design I only selected pieces that were either light grey or dark brown, to maximize the contrast. I then took my measurements and my stone home with me to work on over the weekend.

So my first step was to come up with a design, I opted to go with a fairly simple spiral design as a very complex design would be very difficult to achieve using natural stone. I then transferred the design onto two large sheets of paper to get it to full scale. Remember if you are planning on trying one of these upside down type mosaics your template drawing should be back to front ( this is important if you have any lettering in your mosaic. Mine is just a spiral so it was not an issue)
I then attached the template onto a piece of plywood (approx 1m² in size) and drew a box around the outside of the circle. At the four points where the box and the circle meet, I attached pieces of 2”x2” timber onto the plywood, then using some strips of hardboard (nice and flexible) that I had laying in the shed, I created the circular mould that would contain the mosaic, by connecting the hardboard strips to the 2”x2” timbers I connected to the plywood.
I was now ready to start laying. (It is important to remember when laying the stone to put the side with the highest contrast facing down so that you end up with a better contrasting design when you're finished)
Laying completed
The picture above shows all the stones placed, however the contrast between the two coloured stones does not seem great. This is of course because we are looking at the underneath of the mosaic and I have the most contrasting sides of the stone facing away.
Next I got a large piece of plastic mesh and cut it to size (the mesh will help keep the mosaic in one piece and prevent it from cracking into little pieces when it comes to laying it later)
I then mixed up a half bag of cement fondue I had in the shed with some sand and water in a bucket into a creamy mixture (not too wet mind you) that would seep into the cracks  (a bag of quick drying cement should work fine as well)  I then poured half the mixture on to the mosaic and spread it out, careful not to move any of the stones.
I then added the plastic mesh and poured the rest of the mixture on top so that the mesh was sandwiched in the middle.
I then left it for a few hours to set. I waited till it was set long enough that it was hard but still soft enough that I could scratch the surface, the reason for this I will explain in a second. So the next task was to flip the mosaic over, to see if the experiment worked at to see if there was enough of a contrast between the two stones to show up the spiral properly.
To do this I put another sheet of plywood on top of the mosaic and screwed it into the 2”x2” timbers below, sandwiching the mosaic which allowed me to flip the mosaic over safely without damaging it. Then sliding the mosaic to the edge of the table I was able to take the screws back out and reveal my creation.
All that was left to do now was scrape any excess cement from between the cracks using a pointed tool (I used a pointed screwdriver and a nail) and brush clean. Because the cement was not completely set yet I was easily able to remove the excess glue.
From here the only thing left to do was transport the mosaic back to site and slide it into the hole on a bed of cement and grout it with a grey grout using the same technique mentioned earlier.
 So I hope this has inspired some of you to give mosaicing a go, and hopefully some of the information here will help you along the way. If you do give it a go, please post a photo of your mosaic creations (or indeed any of your other garden stone art creations) on my stone art facebook page so I can have a look. As for the rest of you who don't already know my facebook page do pop in and give us a 'like', I update the facebook page every few days with lots more interesting things as well as mini post, photos and more.

Monday, February 22, 2010

The Shell House at Ballymaloe Cookery School

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For anyone passing through Co. Cork, in Ireland who has a love for fantastic food and beautiful gardens with all sorts of hidden gems, a visit to Ballymaloe is an absolute must.




Ballymaloe house and gardens are nestled in a 400 acre estate that dates back to the early 1800’s in the rural setting of Shanagarry, East Cork. Alongside this renowned Irish country house hotel and restaurant owned and run by the Allen family for over 40 years is there famous cookery school and gardens. It is here in one of the many individual gardens of Ballymaloe that you will find the Shell House.
As you enter the Shell House garden through the gate, a straight grass path leads towards the Shell House. At the far end of the of the herbaceous border is a deceptively simple little building with a slate roof and gothic windows. When you enter it will take a moment for your eyes to adjust to the light, you then begin to realise that the exterior was indeed a deceptive, careful ploy. The walls, window sills and ceiling are encrusted with a myriad of shells. In the centre of the pebble studded floor is a circular pool of shallow clear water. This extraordinarily beautiful Shell house was Darina Allen’s idea, a surprise present for her husband Tim.
                                                  Inside the shell house
The interior of the shell house was created by the fantastic award winning shell artist Blott Kerr-Wilson in July 1995 and was completed on the 26th of October. The day before Darina and Tim celebrated their silver wedding anniversary.
During the construction
The shells that were used in the creation of this house came from many different sources. Darina had been collecting shells for many years with a vague idea of building a folly. Blott brought some shells with her and more were given as gifts when people heard about the project. Gazing upwards to the ceiling, you will notice how scallops and mussels, laid rank upon rank, increasing in size give the illusion of more light. Every shell used in the roof once encased a mussel or scallop that was consumed at Ballymaloe House or at the Ballymaloe Cookery School.
Ceiling of the shell house, complete with shell chandelier

Tim and Darina designed the building themselves. Tim wanted a very classical building with something completely different hidden inside to amaze and delight when you step across the threshold. Blotts own inspiration for her design came from the time she spent at the Alhambra palace in Granada.
Closeups of various details on the walls
When creating her designs, she would work out the patterns in her head and then sketch the ideas onto the wall with chalk, and she would then cement the shells on. Although Blott like to work at night, she was rarely alone. There was always someone around to watch in wonderment at the work that was progressing. An article from Gardens illustrated, wrights that, soon after Blott began work on the shell house, the school holidays began, and hordes of children descended on Ballymaloe, as her work never ceased to interest and amuse them. In the article, Blott tells “I love to work at night and they would sneak out in their pyjamas, and cycle to the field where I was working. It was just like E.T. I would see the lights of their bicycles lined up outside the shell house and hear them whispering “Shh, Shh” very loudly”
                                Closeup of shell chandelier
Another visitor who came often to review the progress was Tim's father the late Ivan Allen. He gave Blott the inspiration to turn the window sills into seat because when he would come he would sit on the sills and from there he was able to admire the emerging patterns as they were created whilst he was seated.
Sill seat for Ivan. It’s design partly accredited by the shells eaten the day before.
Ballymaloe house and gardens are a magical place, the shell house being no exception. The gardens are open to the public all year round, so do go and see it for yourself, as the memory will stay with you for years to come. Check out their website for more information http://cookingisfun.ie/

For all of those who admire Blotts amazing shell art, you can find more examples of her works on her website
http://www.blottshellhouses.com/index.html

Thanks to Blott and the Allen family for their kind permission for the use of Photographs and information from there lovely websites.