Can tradespeople be artists? Lets ask Johnny Clasper.

Stone mosaic by Johnny Clasper

Can tradespeople be artists?
An interesting question which is being explored by a new Irish series on TG4 at the moment called 'Dullamullóg'

Launched last Sunday 13th January, the show follows six tradespeople who take on the challenge of creating a piece of critically acclaimed art.

Each tradesperson is paired up with a professional artist who helps them with their work. The final piece is then put in amongst professional art works which are all scrutinised by art critic Ciaran Bennett who then has to decide which piece is made by the tradesperson.

Art Critic Ciaran Bennet

The show features renowned Irish artists Cliodna Cussen, Peadar Lamb and Turner nominated Liam de Frinse. The first episode follows Eamonn O'Neill, a Tree Surgeon from Shankill, Co. Dublin paired with professional sculptor Séighean Ó'Draoi.

Episode two pairs plasterer and bricky Gearóid Ó Ceannabhái, from Dublin, with the great Irish stone sculptor Cliodna Cussen.

Bricky Gearoid on the show.

An interesting show, worth checking out. Screens at 8.30pm on TG4. Repeated the following Tuesday at 11.30pm. The series will run for six weeks. Can also be played back on the TG4 website watch it here.
I will look forward to seeing the next episode. 


This show reminded me of a great tradesperson cum stone artist that I have been meaning to highlight for a while now.
This person being Johnny Clasper.

Artist Johnny Clasper sitting on front of one of his flowing stonework art pieces.

Before becoming obsessed with stone, Johnny started off as a bricky. In fact from an early age his weekends were spent working with his father (a builder) as a labourer on building sites. Johnny quickly got promoted from broom and wheelbarrow to trowel and hammer. Johnny said that something happened when he was handed that rusty old trowel and heavy split handled lump hammer in his hands, a magic feeling inside. "With these tools I can build (a feeling I still get today when I pick up certain tools). A short while after I saved up and bought myself some decent tools. I was one proud 16 year old lad!"

Detail from another stone mosaic by Jonny Clasper

A fast learner and keen to learn anything he could, Johnny put himself into college to study brickwork "At last something I really wanted to learn and really enjoyed doing".
Johnny became top of the class and earned the student of the year award 1997. "College taught me all about the modern ways of building while my time at work I learned many traditional techniques of laying stone, at the time I was always drawn to stone.. so many ways to lay it as opposed to bricks."

Stunning stone wall by Johnny Clasper. I do love this wall.

The next 5 years or so Johnny worked on many stone houses, extensions and barn conversions before going self employed. Years passed doing the same things, that is until he started to read up and practice drystone walling. 

"This changed everything, without the mortar separating the stone, i became more in-tune and aware of the stone, studying the grain, natural shape and textures, different results and finishes were possible, everything was now falling into place or was it?

it was always my dream and goal to build something that hadn't been done before, but everything seemed to have already been done by someone..

I had thoughts of somehow bringing stone to life but how?

a wall will always be a wall or will it?"

Drystone sculpture 'the seed' by Johnny Clasper

In 2010 Johnny decided to rent a small studio where he hoped to create something that wasn't bound by the rules of building or drystone walling “both seem to contradict each other”

He started by making a seed sculpture with leftover roof slate, the pinnacle moment and the start of his creative journey.

“But the seed sculpture wasn't quite what I had in mind” explains Johnny. “I wanted movement in the stone somehow”.

Johnny's stone scorpion sculpture

"I had an image of an attacking scorpion in my mind made with jagged stacked slate and polished black limestone, materials I had kept from previous jobs.

against all advice from my sculptor friends, family and my own instinct telling me not to do it, I decided to create the scorpion (or the illusion I saw in my mind)

the scorpion was an instant success and the door to my creative part of my mind blew wide open!"

Dry stone stream by Johnny Clasper

From here Johnny started experimenting with flow. “If stone can be brought to life maybe it could become fluidic and flow like water would?”.

"Any chance I got I would arrange pebbles or shards of slate into flowing patterns or drains, mimicking the flow of water spiralling away."

Johnny's swirly pebble path in the gold winning garden at the 2012 Harrogate Spring Flower Show  

Last year Johnny was involved in the construction of a gold awarded show garden at the 2012 Harrogate Spring Flower Show. Part of Johnny’s design brief was to lay a stone slab and pebble path. Most people, if not pretty much everybody else would have been content with pebbles neatly spread between the flagstones. But Johnny being Johnny felt compelled to spend what should have been a five minute job into a nine hour labour of love, transforming what (in my opinion) was otherwise a nice ordinary show garden into an extraordinary gold winning one.    

Johnny's wishing well

Johnny has lots more great work on his website www.johnnyclasper.co.uk  but he is also a great man for the facebook so be sure to give his facebook page a like and keep up to date with all his work. 

More flowing pebbles by Johnny Clasper

Can tradespeople be artists? Hell yeah!

Happy New Year and reflecting back on 2012

Detail from the 'Family Tree' mosaic I am working on for an outdoor classroom

Happy New Year everyone. I feel the need to write a new blog post as I have been neglecting to do so over the past six months or so. Looking back at 2012 it has been a mixed year. While battling our way though a severe recession I reflected on some of the positives of 2012.

Although I had a long and quiet winter and spring, 2012 did bring along a few projects that I am very happy with. I did get to make a stone mosaic panel that I had been wanting to make for some time. My mind is full of many, many ideas. Some just plain crazy, some incredibly ambitious and some that just require an enthusiastic client to make them become a reality.

Fortunately I got one of these enthusiastic clients this year that let me create this mosaic panel as a focal point in a garden makeover I was doing for him at the time.

Gerry's Town Garden. More photos of this garden here

For this panel I used some Golden brown Quartzite from Co. Donegal that I had left over from building the garden, with some Liscannor sandstone from Co. Clare I had laying around in the studio. These two stones make a striking contrast to each other and the mirror reflects fragmented colours and light from around the garden.   

Natural stone mosaic in Gerry's Town Garden. More photos of this garden here

In early 2012 I also took in the position on Chairman of The Dry Stone Wall Association of Ireland and although this has taken up much of my free time (time usually spent writing blog posts) it has been great working with like minded people that share a passion for stone and Ireland's rich stone heritage.

One of Ireland's stunning dry stone walls. 

Working on a section of dry stone wall at the Liscannor quarry with members of the DSWAI, more about this here 

During the summer I was asked by friend and fellow DSWAI member Tom Pollard to help with a public art project he had organised at Electric Picnic, the country's premium music and arts festival. 

Dry-stone public art project at Electric Picnic 

Tom had devised a sculpture that would only use materials that could be salvaged from the grounds of the estate that the festival is held on and also show off the craft of dry-stone construction. The cantilevered seats made the piece interactive and gave people the opportunity to take a rest.

The team. DSWAI members Tom Pollard, Alex Panteleyenko, Sunny Wieler and Julia Gebel

The beautifully carved cap stone was carved by Julia from an old piece of cut stone that lay on the ground not 10m from where it now sits. 

  The rest of the structure was built from reclaimed limestone and slates from the roof of the estate that had recently been replaced. Even the timber for the seats came from a damaged tree that was cut down on the estate the year before.

2012 also saw some of my stone projects included in a internationally distributed book on stone features. I was honoured to be featured alongside many wonderful stone artists from around the globe.

2012 also saw me return to the Aran Islands for another Feile na gCloch (Festival of Stone), a wonderful weekend of Stone, Stout and banter among fellow wallers and stone enthusiasts. This is a weekend I thoroughly recommend and one I will look forward to returning to next September. More about this event in my blog post here

Feile na gCloch 2012

The rest of 2012 has been taken up working on a wonderful outdoor classroom I am building for a school in Dublin. This is still very much under construction but I will share more about this with you all once it has been completed. For now I will leave you with a sneak preview of the classroom as it looks now from one of the two entrances.

Under construction. Outdoor classroom for a school near Dublin.

 Wishing you all much success and happiness in 2013. Regards, Sunny Wieler

Turning old instruments into art!

Brass pipe water feature  at the Philadelphia Flower Show's 'Jazz Garden' 2008 . photo by Bérénice

So this is a post that will strike different ‘chords' with different people. For some this is art, but others may see this as decimation of a beautiful instrument. But before you begin to grieve for them, to my knowledge all the instruments shown here were beyond repair.      

Garden Piano at Hagal Farm

The above picture is of the Garden Piano in the gardens of HagalFarm, my parents' holistic retreat in West Cork, Ireland. I have written about this in a previous blog post which you can find here.

Recently I have become aware of a number of other garden pianos. I like to think that after reading my garden piano post, readers ran off to drag their old broken pianos out into their gardens, but I am sure that this is unlikely.

The Piano water feature below as well as the brass pipe water feature above were part of the 'Jazz Garden' at the 2008 Philadelphia Flower Show.     

Piano water feature at the Philadelphia Flower Show's 'Jazz Garden' 2008 .  photo by Bérénice

In recent years, with people becoming more environmentally friendly and looking for green alternatives in the landscape, recycled or found object art seems to be more popular than ever. With found object art, musical instrument parts on occasion find their way into art pieces.

Artist Noel Brady at work in his bush studio
 near Emu Park, Queensland, Australia  

One artist that takes 'musical themed, found object art' to another level is Capricorn Coast based artist Noel Brady.

Born in Ballarat, Victoria Noel completed his Diploma of Arts and Design at the Ballarat School of Mines and Industries Art School before embarking on a long career as a secondary school art teacher in both Victoria and Queensland.

He retired to his Emu Park bush studio in 2004 to concentrate on his own artwork with a particular focus on sculpture. Noel works largely with recycled timber, clay and metal - but has a particular penchant for reimagining old piano parts.

Convergence by Noel Brady

Symphony under construction by Noel Brady 

Noel has had moderate success to date, exhibiting in Rockhampton, Gladstone, Yeppoon, Emu Park and Goombungee, and has sold works into private  collections  in San Diego, Sydney, Canberra, Griffith, Dandenong, Brisbane, Cairns, Rockhampton and Toowoomba.

     He presently lives and works in his bush studio on a small acreage near Emu Park on the Capricorn Coast, and regularly exhibits new work in a small privately-run gallery in the seaside town.

Lots more of Noel's artwork can be found through his website http://www.noelbrady.com.au be sure to check it out.

Lasseter's Legacy  by Noel Brady   

An unrelated yet worth mentioning, Pool wall panel by Noel Brady

Mosaic Guitar by Mosaic Artist Lisa Calabro   

An artist who takes a very different approach to turning musical instruments into art is American artist Lisa Calabro of Crooked Moon Studio in Warwick, Rhode Island. Lisa has transformed old instruments into artworks by mosaicing them. See more of her lovely mosaics on her website http://crookedmoonstudio.com

Mosaic Violin by Mosaic Artist Lisa Calabro 

Mosaic Guitar by Mosaic Artist Lisa Calabro

Thanks to both Noel and Lisa for allowing me to share their artwork. Thanks also to Bérénice for the use of her photographs of the Philadelphia Flower Show. 

Jeffrey Bale's Mosaic Pilgrimage, a labour of love, a labour of pebbles!

Lotus Medallion Patio in San Francisco

Many of you may already be familiar with the work of Jeffery Bale, but for those of you who aren’t, I feel the need to share his work with you. I am a big fan of mosaics. One of my favourite city to visit is Barcelona, mainly because of all the wonderful mosaics of Gaudi that decorate much of the city. I have even ventured to make a few mosaics myself upon occasion (see my blog post on making mosaics) but nothing as large, detailed or impressive as the mosaics of Jeffery.

Jeffery at work

For Jeffery Bale, gardens and stones are not just his passion and his livelihood, they are instilled in his blood, passed on through a family history of gardeners and geologists. Quite possibly on some kind of subconscious level, these family genetics helped pave the way for his future carer. Jeffery likes to think so anyway. It would also explain why he developed a passion for these traits at a very young age.

Following his passion for gardening, Jeffery graduated with a degree in Landscape Architecture from the University of Oregon in 1981, but after a short stint working a desk job designing for a landscaping firm, Jeffery felt the need to get his hands dirty.

He spent the next few years experimenting in friends gardens and gaining onsite experience, before in 1987 deciding to set out on a sort of mosaic pilgrimage, to go and see the gardens of the Alhambra in Granada and ParqueGuell in Barcelona as the images of these places had mesmerized him back in college, and stayed with him long after.

Round step stone with marbles, Indonesian Turquoise, Red Montana Rainbow, Black Mexican Beach and center beach stone

Jeffery began his ‘mosaic pilgrimage’ travelling to Madrid in Spain  and then on to Lisbon, Portugal, and like any good pilgrimage, it didn’t take him long to have an epiphany.  Here, standing in a city encrusted in mosaics made from small hand split blocks of white limestone and black basalt,  every plaza and sidewalk had a different design, everywhere he went he was looking at marvellous decorative pavements, something he had never seen back home. So this was it. Jeffery Bale from of Eugene, Oregon, USA felt destined to return home to America to replace its concrete pavements with stones and jewels.

So when he returned home he set to work on a patio for his newly purchased home in N.E. Portland.  His design was inspired after reading the ‘Tao of Physics’ by Fritjof Capra.  Not really knowing the methods of construction in Spain, he developed his own technique, setting the pebbles in a bed of wet mortar.

From here Jeffery honed his mosaicing skills by creating mosaics whenever the opportunity arose, mainly making mosaics for friends and family.  It wasn’t until a few years later that he convinced a client in Northwest Portland to let him build a pebble mosaic patio for him, along with a mosaic path and parking strip pavements.  The patio is a 12 by 18 foot Persian Carpet. This patio would later be photographed by Alan Mandell and Jerry Harpur of England, being published several times, and even making the cover of Landscape Architecture Magazine in August of 2005.

The Persian Carpet

 Suddenly Jeffery was not just a garden designer anymore, he was bonafide pebble mosaic artist as well, meaning that he could frequently incorporate these lovely mosaics into many of his projects.

Parking Strip mosaic Mother giving birth with the moon in her hair

Looking at one of Jeffery’s mosaic creation, one can begin to appreciate the time and effort that must have been put in to create it. Each stone has been carefully placed by colour, shape and size to fit into these wonderful shapes and patterns. But what one might easily overlook is that every single stone in each mosaic has not only been laid by Jeffery, they have also been painstakingly picked by him. 

Jeffery carefully selecting stones in a big heap of Montana Rainbow  Pebble Mix 

 "I’ve spent a fair amount of my adult life gathering the materials needed to build these mosaics.  Each pebble is selected for shape and sorted by color, whether beach combing or sitting on piles of rainbow rock in a stone yard.  I have to look at every single one to discern whether it will fit amongst the thousands of it’s brethren."  Jeffery Bale 

'Council Ring’ fire pit. Most of the stone for this project was gathered from the beach below the property, giving it a strong connection to it’s setting.

Cyphers and Constellations in Love with a Woman, inspired by the paintings of Joan Miro 

One of my personal favorite pieces by Jeffery is actually the footpath below. It makes up part of a number of mosaics around one of his clients houses. The group of mosaics are inspired by the paintings of Spanish painter Joan Miro (including the mosaic 'Mother giving birth with the moon in her hair')

Molalla stone footpath with another mosaic inspired by Miro's work 

I love the simplicity of the footpath. The skilfully arranged Molalla flagstones are cut and tightly fitted together, with the gaps filled with pebble mosaic which connects to the other Miro inspired mosaics in the garden.  Jeff also cleverly incorporated gaps between the rectangle pads to allow for permeability in the pavement, and for the garden to flow through the work in planted lines.

 'The River of Life'

The ‘mosaic pilgrimage’ that Jeffery set out on back in 1987, is in fact one that he continues throughout his career. When ever the opportunity arises Jeffery sets off to get inspired by the different cultures and mosaics from around the world. 

Looking through his portfolio of work you can see much of what he has taken back home with him from socking in these different cultures.

The Moroccan inspired Sunken Garden

Jeffery has a wonderful blog that I recommend checking out. In his blog Jeffery documents his ‘mosaic pilgrimage’ sharing many of the wonderful mosaic sites, architecture, culture and mind blowing colours from around the world. http://jeffreygardens.blogspot.com

Mosaic inspiration from Jeffery's blog

Moroccan inspired fire pit. The pit is built up of bands of pebble mosaic using black and gold Mexican beach pebbles, which are then capped with a band of eight pointed stars matching the other mosaics in the garden.  

Islamic Geometry in a small patio in one of Jeffery's gardens in Portland

Brazilian Carnival inspired mosaic parking strip

Lotus Step Stone Path.The lotus blossoms, alluding to a Buddhist Jataka Tale about Sidhartha Gautama being born, and having lotus blossoms spring from his footprints.

Full Moon Spiral Mosaic

There is much more amazing work by Jeffery that I was hoping to share with you, but as this post is starting to get quite long I will leave it at that. To see more information about Jeffery and more photos of his work check out his website http://www.jeffreygardens.com.

For a more complete and comprehensive look at Jeffery's work, I highly recommend getting a copy of his self-published book 'The Gardens of Jeffery Bale' This book along with other publications by Jeffery can be ordered online through the following link Books by Jeffery Bale

And don't forget to check out his wonderful blog http://jeffreygardens.blogspot.com.

Thanks to Jeffery Bale for his kind permission for the use of the photos and writings from his website and blog for this post.