StoneFest 2014 and the Irish connection

So after a number of years of procrastination and dreaming about going to StoneFest, this year I finally made it over to Seattle to attend the event. Procrastination was of course not the only factor in making the 14,623 km round trip to the event, finances and situation also played a big factor. If it were not for Alexandra and Scott of StoneFest and the work they are doing with the 'OnTrack' scholarship, dreams and procrastination would still be my only memories of StoneFest.

About StoneFest

StoneFest came to be after Scott Hackney (partner of Marenakos Rock Center), Alexandra Morosco (sculptor, and Trow & Holden Field Representative at the time) and Randy Potter (Trow and Holden Tool Co.) had a short tool demo day at Marenakos. It was such a great experience they visualized, bringing together carvers and masons and working together for several days. As director, Morosco planned a four day event in 2004 through the Northwest Stone Sculptors Association which was a total success! Sculptors were exposed to the vibrant stone mason, Bobby Watt and learned about function, gravity and basic building principles. Masons got to blow off all their corners and make a square stone round or curvy. They had so much fun, It was clear this needed to happen again.

Marenakos Rock Center adopted the role of sponsoring this most extraordinary event in the Pacific Northwest and called it StoneFest. StoneFest is now the annual gathering for those who LOVE STONE. This educational event offers something that is a unique experience for the stonemason, the carver, architect, landscape designer, or simply those who want to further their connection with stone.

The story of this years StoneFest however, starts much closer to home at a stone festival far more familiar to me, Feile na gCloch on Inis Oirr. I have written about it many times, and it is a place special to many of us here in the stone world in Ireland. It has also become precious to Scott and Alexandra who have been coming to Inis Oirr for the past few years and will be back again this year.
Inspired by their recent experiences in Ireland as well as the large number of Irish and Scots attending, Scott and Alexandra went with a very strong Irish theme for StoneFest 2014.

Renowned Irish stonemason / author Patrick McAfee is a regular instructor at StoneFest and has brought a regular Irish influence into the projects at StoneFest (note the Clochán in the photo at the top of this post that they built during the 2010 StoneFest)
For this years festival Patrick designed two very special Irish inspired structures.

The Early Irish Christian Church 

This replica of an Early Irish Christian Church was built using local granite rubble and earth mortar and is only slightly smaller than the similar ones found in Ireland.

Tomas Lipps cuts quoins for the church as building continues in the background

Stone busting under the watchful eyes of instructors Pat McAfee and Bobby Watt 

The church site-a hive of activity.

The church rises out of the ground.

Stonework nearing completion. 

Pat McAfee having a well earned drink upon completion of the stonework. 

Stonework complete and ready for its timber roof. 

The dry stone 'Krak'

Newtown Castle

The dry stone project was inspired by the unique Newtown castle in Co. Clare (Unique because unlike most other tower houses in Ireland, Newtown Castle is round but rises from a square pyramidal base).

Inspired by this Pat designed a scaled down version of a 13th century defensive structure known as a 'Krak'.

This type of defensive structure has the same type of complex shapes as Newtown Castle, with round turrets emerging from the steep sloping defensive walls. The turrets were used to provide a projecting defensive position for archers, allowing covering fire to the adjacent wall. The steep slope (or batter) of the wall prevents attackers hiding at the base of the wall but also allowed people inside the fort to throw rocks and other projectiles down that would bounce off the sloping wall and into the faces of the attackers. (as demonstrated by Nick and myself below)

Defending the keep with arrow and stone.

The Krak was built last week under the instruction of Nick Aitken, with the help of Ken Curran, Sunny Wieler, Eric Landman, Russ Beardsley, and Alan Ash to name but a few. 

This scaled down Krak is a complex looking structure, but when broken down into individual elements it was essentially an L shaped wall (plum on one side, 1: 2 batter on the other) with round pillars on the corners.

Building of the Krak begins

The part that had everyone stumped for a while was the quoin stones, and how to get the cylindrical shape to emerge from the pyramidal shape wall. After much head scratching they managed to carve the cylindrical shape into the unforgiving Pennsylvania blue stone. This stone only wants to break perpendicular to the grain so trying to achieve  a 1:2 batter into a 6" bed took up a lot of time.

Some much needed shade in an unusually sunny week in Seattle 

 Fortunately the guys at Marenakos guillotined the limestone blocks into pie shapes for the turrets and so sped up the process and got everyone back on track.

The turrets begin to rise

Ken Curran breaking stones

Alan Ash enjoying some stone pies

Ken and Russ's lovely round caps are placed under the watchful eye of Nick 

The builders had hoped to go higher with the towers but the lack of time and stone gave everyone an excuse to come back. All said and done, it did make for an attractive structure. It was also great for wallers from Ireland, America, Canada and Scotland to come together to play with stones.

Fortress completed

Ken Curran and Rory Noone enjoy some fortification inside the Krak

Sunny propping up the outer turret 

King of the castle. Scott Hackney enjoys the new addition to the stone village at Marenakos yard

Milestones 

Under the instruction of some of the finest stone carvers and letter cutters around (including Nicholas Fairplay, Keith Phillips, Karin Sprague, Tracy Mahaffey and Richard Rhodes)

The theme for this years workshops was Milestones.

 Most commonly, Milestones are known as a stone by the side of a road that shows the distance in miles to a specified place. Metaphorically, they have also become known as an important point in the progress or development of something, a very important event or advance. Students were given the opportunity to explore all the venues of StoneFest: Build a milestone into a wall, carve one for a personal achievement or celebration in ones life and bring it home.

Karin Sprague surrounded by eager students.

Learning from each other. President of the Northwest Stone Sculptors Association Carl Nelson takes some pointers from instructor Tracy Mahaffey

Randy Potter in the Trow and Holden tool shop

Rory Noone

Instructor Nicholas Fairplay giving some guidance

Neil Rippingale of The Dry Stone Conservancy getting a taste for letter carving

One of the things I love about events like this is seeing people getting their first taste of stone and instantly becoming hooked. Whether its someone like Neil above who has decades of experience working with dry stone, who has only now discovered his passion and talent for letter carving, or someone like Daniel Poisson (below) who before StoneFest had never touched chisel and stone before.

Daniel Poisson and his first ever stone carving

Daniel Poisson is a graphic artist but this was his first ever carving. I am also delighted to hear that not only has he sold his first stone sculpture, he has already begun work on his first commissioned piece. You can read about Daniel's experience at StoneFest on his blog here. 

It is a wonderful feeling making that first connection with stone and thinking 'HELL YAAA' and being hooked evermore. 

Mike Schroeder works with a group using Portland cement based masonry

This is one of the things I love about StoneFest, it is a convergence of all the disciplines of stone. There is no cliquey groups here, no hierarchy or prejudice, just people brought together in a collective celebration of all things STONE.

     Another highlight of the week was the big StoneFest Feast on the Thursday. The spectacle put on by the hosts in honour of the Celtic themed festival was nothing short of jaw dropping, with a night filled with festivity, music, food and a few pints!

The opening of the StoneFest Feast (Photo Tomas Lipps of The Stone Foundation)

  It is important to note that the StoneFest Feast was also a fundraiser for the wonderful 'OnTrack' Scholarship which made it possible for people like myself, Ken Curran and Rory Noone to attend. You can read more about this Scholarship program here as well as information about becoming a sponsor of this wonderful program. 

The Lords of StoneFest Scott Hackney (in the white blazer) and to his right Alexandra Morosco (Photo Tomas Lipps of The Stone Foundation)

And so ended StoneFest 2014. With a heavy heart I packed my bags and started the long trek back home. Arriving back home in Ireland I felt jet-lagged but yet strangely invigorated at the same time. Convergences like this are important, I feel, the energy and enthusiasm here is infectious. Just as important is the exchange of stories, knowledge, and the lessons learned with people in the same industry, which is hugely beneficial. 

I cannot thank Alexandra and Scott enough for what they are doing on both a personal and professional level. It was so wonderful to see people connect with stone and indeed explore stone in new ways.

To my knowledge there is nothing else like Stonefest that brings together all the disciplines of stone and celebrates them equally together. There is a great scene of passion and inclusiveness here that was evident in all the smiling faces I saw there all week.  

I must admit that the past few months leading up to Stonefest I had been doubting my future with stone due to the sheer lack of opportunities here in Ireland. But as I had hoped it would, spending some time with like- minded people during and around StoneFest has given me the inspiration and focus to carry on. 

         

Bloom 2013

Almost a year late, but here is the story of my involvement in Bloom in the Park garden show last year.

Tim Austen's Gold winning garden at bloom

Outdoor classroom under
construction during spring 2013 

Picking up icy cold stones in January of 2013 as the winter was slowly easing its grip on the country, I powered on through the cold in a bid to get my outdoor classroom project completed for my May deadline.
It was during this time that I was contacted by renowned Irish landscape designer Tim Austen. A regular medal winner at Bloom, Tim was designing a large garden for the competition and was wondering if I would be interested in creating one of my mosaic panels as a centre piece for his garden.   

Aquilegia vulgaris ‘Black Barlow’ standing proud in front of my mosaic panel.  

Being a fan of Tim's previous show gardens, I was delighted to be a part of his latest garden.

Tim Austen's Giardino della mostra 

As Tim explains on his website  Giardino della mostra, translating generally from the Italian as “exhibition garden” or “garden of exhibits,” is a garden that encourages you to design your own garden to a strong theme whilst referring to the fact that a good garden is formed from the sum of its parts. The concept and layout are, in part, inspired by Ireland’s only permanent exhibition of show gardens at Gardenworld, Kilquade (the National Garden Exhibition Centre), Co. Wicklow. Here a wonderful collection of individual gardens, arranged around the central avenue, collectively inspire and encourage gardeners at all levels to follow a design in their own gardens. The central avenue, with water features and arches are the main elements that are referenced in Giardino della mostra, along with beech hedging that forms a soft backdrop to the garden. Moving through the garden, areas of differing character are also seen.

Tim Austen's Giardino della Mostra

Unfortunately for me the garden show was on the weekend before the completion date for my outdoor classroom project so this meant that I would be spending many weekends over the next few months in the studio.

When making mosaic panels (as well as other stone art pieces) I try and see if the client has any connection with any particular stone. In this case, as Tim is a proud Wicklow man, and golden granite being the stone of Wicklow, we decided to incorporate granite into the mosaic.
So my first task was breaking up chunks of granite into usable pieces for the mosaic.

At work in the studio with help from my lovely wife. 

As the workload started to mount up, working on both the outdoor classroom and the show garden, I called in reinforcements to help. Help with the mosaic came from my wonderful supportive wife Christine who came and helped out with completing the mosaic work.

Christine cleaning the mirror

Back on site, work was commencing with the garden. There was some friendly rivalry between designers on site, and they were often seen walking the grounds checking out the competition. It was for this reason that Tim wanted to keep the mosaic secret only to be installed for the big reveal at the end. The framework for the mosaic did have to be installed earlier in the build, so to keep people guessing 'flatscreen TV here' was written on the framework to throw the rivals off.

Installing the mosaic. Photo Tim Austen

   Tim had a really great crew working with him on the garden, and it took most of them to help me get the mosaic into place. Made of natural stone and cement, it weighed well over 200kg. 

The finished piece. 220cmx 120cm granite, Liscannor sandstone and mirror mosaic panel by Stone Art

Tim was also keen for me to be involved in two of the other stone features in the garden, the old forest-like dry stone wall and one of the water features. As I was short on time I thought this would be a great opportunity for some of The Dry Stone Wall Association of Ireland to get involved in the project. Two good friends of mine from the DSWAI Ken Curran and Alex Panteleyenko  took over the responsibility for this from me and did a really wonderful job of making a dry stone wall look like it has been sitting there for decades. 

Dry stone wall built by DSWAI members Ken Curran and Alex Panteleyenko. Photo Ken Curran

Finished wall surrounded with woodland shade planting and a bronze sculpture by Eamonn Ceannt  

Limestone pebble water feature by Stone Art

Unlike the mosaic panel, the water feature had to be made on site. Tim was inspired by the free flowing pebble work of UK artist Johnny Clasper and wanted something similar. I first contacted Johnny to see if he wanted to come over to do it but unfortunately he was busy with show gardens in the UK at the same time. So I decided to do it myself. So I would spend the next three days on my knees in the garden building the water feature, and it would have been even longer had Alex Panteleyenko not stuck around for an extra day after finishing the dry stone wall to help get me started with the water feature.

Myself and Alex setting the first stones in the water feature. Photo Tim Austen

Slow progress.

The finished piece.

I was delighted to see Tim win Gold for the garden. It was wonderful to be part of the whole process and look forward to future involvement in the show. It was great to see the reactions to the garden over the festival weekend. Tim's garden proved to be a big hit with many of the 110,000+ visitors who attended the show over the four days of the event.

Some of the 110,000+ people who visited Bloom in the Park last year 

The President of Ireland Michael D. Higgins and his wife chilling out by my mosaic.

Delicate blue flowers of Camassia cusickii (Cussick's camas)

Mosaic reflected on wet tiles on Tim Austen's Giardino della Mostra

Evening shot of the water features. Photo courtesy of Tim Austen

For more information about the garden and its designer check out Tim Austen's Website http://www.timaustengardendesigns.com/

If you have time check out this great short film about Tim's road to Bloom and the building of the show garden. Well worth a watch. 

Thanks again to Tim Austen for letting me be involved in the wonderful garden. I would also like to make a very special thanks to Alex who after Bloom was over came and helped me for a day to finish off the outdoor classroom which I am pleased to say also got finished on time.

Also of note. I custom make these mosaic panels in all shapes and sizes so be sure to contact me with your enquiries should you want one for your garden.