Turning old instruments into art!

Brass pipe water feature  at the Philadelphia Flower Show's 'Jazz Garden' 2008 . photo by Bérénice

So this is a post that will strike different ‘chords' with different people. For some this is art, but others may see this as decimation of a beautiful instrument. But before you begin to grieve for them, to my knowledge all the instruments shown here were beyond repair.      

Garden Piano at Hagal Farm

The above picture is of the Garden Piano in the gardens of HagalFarm, my parents' holistic retreat in West Cork, Ireland. I have written about this in a previous blog post which you can find here.

Recently I have become aware of a number of other garden pianos. I like to think that after reading my garden piano post, readers ran off to drag their old broken pianos out into their gardens, but I am sure that this is unlikely.

The Piano water feature below as well as the brass pipe water feature above were part of the 'Jazz Garden' at the 2008 Philadelphia Flower Show.     

Piano water feature at the Philadelphia Flower Show's 'Jazz Garden' 2008 .  photo by Bérénice

In recent years, with people becoming more environmentally friendly and looking for green alternatives in the landscape, recycled or found object art seems to be more popular than ever. With found object art, musical instrument parts on occasion find their way into art pieces.

Artist Noel Brady at work in his bush studio
 near Emu Park, Queensland, Australia  

One artist that takes 'musical themed, found object art' to another level is Capricorn Coast based artist Noel Brady.

Born in Ballarat, Victoria Noel completed his Diploma of Arts and Design at the Ballarat School of Mines and Industries Art School before embarking on a long career as a secondary school art teacher in both Victoria and Queensland.

He retired to his Emu Park bush studio in 2004 to concentrate on his own artwork with a particular focus on sculpture. Noel works largely with recycled timber, clay and metal - but has a particular penchant for reimagining old piano parts.

Convergence by Noel Brady

Symphony under construction by Noel Brady 

Noel has had moderate success to date, exhibiting in Rockhampton, Gladstone, Yeppoon, Emu Park and Goombungee, and has sold works into private  collections  in San Diego, Sydney, Canberra, Griffith, Dandenong, Brisbane, Cairns, Rockhampton and Toowoomba.

     He presently lives and works in his bush studio on a small acreage near Emu Park on the Capricorn Coast, and regularly exhibits new work in a small privately-run gallery in the seaside town.

Lots more of Noel's artwork can be found through his website http://www.noelbrady.com.au be sure to check it out.

Lasseter's Legacy  by Noel Brady   

An unrelated yet worth mentioning, Pool wall panel by Noel Brady

Mosaic Guitar by Mosaic Artist Lisa Calabro   

An artist who takes a very different approach to turning musical instruments into art is American artist Lisa Calabro of Crooked Moon Studio in Warwick, Rhode Island. Lisa has transformed old instruments into artworks by mosaicing them. See more of her lovely mosaics on her website http://crookedmoonstudio.com

Mosaic Violin by Mosaic Artist Lisa Calabro 

Mosaic Guitar by Mosaic Artist Lisa Calabro

Thanks to both Noel and Lisa for allowing me to share their artwork. Thanks also to Bérénice for the use of her photographs of the Philadelphia Flower Show. 

Roses are RED. The use of red in the landscape.

Rose garden at War Memorial Gardens Dublin

As it is Valentines Day today I thought it would be a good time to talk a little bit about one of my favourite colours to use in the landscape. The colour red.
Red has more personal associations than any other colour. Recognized as a stimulant, red is inherently exciting and the amount of red is directly related to the level of energy perceived. Red draws attention, and a keen use of red as an accent can immediately focus attention on a particular element. It also increases enthusiasm, stimulates energy and can increase the blood pressure, respiration, heartbeat, and pulse rate.

Iconic Red Bridges a common sight in Japanese and Chinese gardens
Photo by john tovey

Red encourages action and confidence and represents beauty in many languages and cultures.

In Chinese culture, colours corresponded with the five primary elements, the directions and the four seasons. Red was associated with fire, south, and summer.

In Japan, the colour red is associated closely with a few deities in Shinto and Buddhist traditions, so statues of these deities are often decked in red clothing or painted red.

Red Reed Bamboo Forest. Sculpture by Dale Chihuly. Photo by  Jeff Hamm

Red Door. Photo by Floren Arocena

Red is not just a great complementary colour to green, it also looks great with stone too.

Harbour Lighthouse, Howth, Co. Dublin. 

Photo by Glynn Williams from proyaltypics.com

Japanese Maple. Photo by David-Yu

Red ribbon park  photos by Kongjian Yu and Cao Yang

Photos & Stonework by Matthew Reilly of Country Landscapes

A few random facts about the colour red.

Red is the highest arc of the rainbow.

Red is the first colour you lose sight of at twilight.

The longest wavelength of light is red.

In the financial arena, red symbolizes a negative direction.

Feng shui recommends painting the front door of a home red to invite prosperity to the residents. 

Iconic red phone box in London 

Did you know bees can't see the colour red, but they can see all other bright colours? They can also see a colour we can’t: ultraviolet (UV). Since bees can’t see red, red flowers are pollinated in other ways, by bats, butterflies, birds, and the wind. Flowers that want to attract bees have colours that bees can see. Often, white flowers, which look plain to us, actually reflect UV light, so they look very pretty to the bees.

photo by Craig Richardson

Red is considered a warm colour in landscape design. Its appearance in the garden has an energetic effect. Red flowers and foliage give the illusion of coming forward in the landscape, helping to make a large garden feel cosier.Red plants attract the eye and are a good choice for areas you want to draw attention to. Red's complementary colour in the garden is green, but can also look great with colours like yellow.

Ooma in a red bucket before the black-eyed susans. Photo by Shannon Ross-Albers

Planting Red. Below are a few of my favorite reds for the garden:

Photo by Bluesrose

* Acer palmatum 'Osakazuki' * Hemerocallis  ‘Daylily’ * Fuchsia magellanica 'Riccartonii'

 * Callistemon ‘bottle brush’ * Canna ‘red king humbert’ * Lobelia fulgens  ‘Queen Victoria Lobelia’ * Dwarf Chenille Firetail ‘Acalypha reptans’ * Flame Creeper ‘Tropaeolum speciosum’ * Parthenocissus Quinquefolia * Chilean Flame Creeper ‘Tropaeolum speciosum’ * Bergenia ‘bressingham ruby’ * Photinia ’red robin’ * Japanese Blood Grass ‘Imperata rubra’ Red Baron * Carpet Rose, Scarlet * Salvia 'Lady in Red' * Red-twig dogwood ‘Cornus alba’ * Crocosmia masoniorum ‘Lucifer’ lucifer montbretia * Lychnis chalcedonica maltese cross * Rhododendron ‘Elizabeth’    rhododendron * Schizostylis coccinea ‘Major’  kaffir lily * Zinnia elegans ‘Dreamland Series’zinnia. 

West Cork's iconic Fuchsia magellanica on the drive up to Hagal Farm

The Dead Red Tree by Irish Landscape Designer Peter Donegan

In his blog, Landscape Designer and garden blogger Peter Donegan had a great solution to doing something about that 'old dead tree that you never got round to cutting down' and turned a dead tree into a great focal point in the planting bed by simply grabbing an old tin of outdoor wood paint from the garage and painting it red. 

A 3D garden design I did incorporating a red feature wall

Photo by Julie Therré

 Red Door by McCarthy's PhotoWorks      Garden Door by pearson_251
Red doors: I love you. Feng shui recommends painting the front door of a home red to invite prosperity to the residents.  

The red catwalk in Irish Landscape Designer Tim Austen's 'The Growise Garden' at the 2011 Bloom Garden Show

A good example of how effective red can be in landscape design is  Tim Austen's 'The Growise Garden' at the 2011 Bloom Garden Show In his blog, he talks about the eye catching catwalk in his design:

 "Alluding to the landscape change theme present in the garden, the boardwalk deliberately cuts across the center of the garden and is metaphorically a landscape fissure when the garden is viewed as a whole.  Its linear form also provides contrast with the other flowing forms and shapes used.

I deliberately chose the "Movie-Star" red colour to provide a strong colour contrast with other natural tones and textured finishes used in the garden.  The paint used in the boardwalk is Irish made (in Celbridge) by the really helpful people at ColorTrend and is water based so it is an environmentally friendly paint. Apparently, pilots of planes passing overhead en route from Dublin Airport could pick out the boardwalk quite easily"

You can Tim's full blog post here 

As it is Valentine's Day today I must also share my appreciation for my wonderful wife, who makes me happy every single day I am with her. Without her love and support I would not be the man I am today. Also without her, you probably wouldn’t be reading this blog either, as she edits all my blog posts, deciphering my poorly spelled, poorly structured words into legible blog posts. 


Thanks to everyone who contributed photographs to this post! Please take a moment to check out their pages by clicking on the links provided. 

Happy Valentine's Day everyone.

Irish hills on fire with Molinia caerulea 'Purple Moor-grass'

Driving down to the home place in West Cork is always a treat, especially if I haven’t been home in a while. Living in the city of Dublin now when I drive out the country roads I appreciate all the scenery more.

On my last trip down the back roads to Hagal Farm the hills looked on fire with the amazing golden glow of the Molinia caerulea commonly known as Purple Moor-grass (or uncommonly known by its Irish name ‘Fionnán’)

It’s spent seed heads and browned off blades gleaming gold in the spring sunlight look like flames.

This Irish native is quite widespread and locally abundant on permanently or seasonally wet ground as well as marshes and wet heaths and moors.

It was nice to stop and take it in as probably by the time I drive down to West Cork again it will all have transformed in to the lush green rolling hills that Ireland is so well known for.

On a more mundane note, this grass is also partially responsible for the rapped spread of hill fires that plague the country around this time of year. (In this case, the hills quite aptly ‘on fire with Molinia caerulea 'Purple Moor-grass')

Ulex-europaeus 'Gorse'

Many of these fires are started by farmers burning off Ulex europaeus ‘Gorse’ or by it Irish name Aiteann gallda. Unfortunately too often these fires spared out of control, overwhelming entire mountains and destroying wildlife and property in its wake. Worryingly, fire officers believe up to a quarter of these fires are set by arsonists.
According to a recent post in the Irish Examiner, last year, was one of the worst on record for such fires in Ireland, with Irish forestry’s ‘Coillte’ reporting damage to thousands of acres of forestry last year, three times in excess of the annual average.

Gorse fire near Baltimore
 [picture from The Southren Star]

 The annual burning season runs from February to May, even though it is against the law to start these fires between March 1 and August 31, may fires continue to be lit. In the wake of last years record high fires, new measures have been put in place. Issued jointly by the Department of Agriculture, An Garda Síochána, Teagasc, the Forest Service and the Irish Cattle and Sheep Farmers’ Association, a notice says severe penalties may be imposed on farmers who break the law, including loss of their Single Farm Payment. They can also be liable to fines of €1,900, or imprisonment, and county councils can charge property owners for fire brigade call-outs.

Oh look how nicely my post started out, hope I didn’t end up bumming you out. On the plus side, hopefully these new measures will see increased beauty and wildlife throughout these parts at this stunning time of the year.

scorce http://www.irishexaminer.com/opinion/columnists/donal-hickey/illegal-gorse-fires-still-burning-issue-151009.html

Snowdrops, Labyrinths and their effects on Alzheimer's

The other day I was talking about snowdrops and their link to the treatment of Alzheimer's. The little snowdrop has been linked to an important medicine that could help in the treatment of Alzheimer's disease. Galantamine, a medicine used today to treat Alzheimer's disease, occurs naturally in several members of the amaryllis family (snowdrop; narcissus; daffodil). This important medicine was first discovered in the innocent Snowdrop. 

Snowdrops

Talking about this made me think of the living labyrinth in my parents' garden at Hagal Farm down in West Cork. (You may remember my post about this labyrinth last year.)

Labyrinth at Hagal Farm

 So why did snowdrops make me think of labyrinths, you ask?

More and more hospitals and wellness centres are using labyrinths in the treatment and care of Alzheimer's sufferers. The beauty of a labyrinth (often confused with a maze, which has many paths and dead ends) is that a labyrinth is a single winding path that leads from the entrance to the centre and back out again. All labyrinths are unicursal, meaning they only have one path, which makes them a perfect place for an Alzheimer sufferer to ‘get lost in’. (for more information about labyrinths, check out my previous post about them http://tinyurl.com/gardenlabyrinth)

Labyrinth at Marianjoy Rehabilitation Hospital in Wheaton, Illinois

With Alzheimer’s, the mind begins to short circuit. Performing tasks that once were as natural as breathing becomes a source of frustration. Confusion begins to crush hope. The caregivers for early- to mid-stage Alzheimer's residents know that these misfires aren't going to go away.

Back at home in West Cork a dear friend of our family has been suffering from Alzheimer’s for a number of years now, so I can begin to understand the heart wrenching, problems and difficulties of those who suffer from Alzheimer’s and the family and carers who lovingly look after them. It also gives me huge respect for those who live with Alzheimer's, as well as for their family and carers.

While reading up about this subject I came across a very interesting blog by a man called Chuck Donofrio. Chuck’s blog is called ‘Early onset Alzheimer’s Adventure’

Chuck suffers from Alzheimer’s but as he states on his blog ‘Early onset Alzheimer’s diagnosis doesn't stop this "sufferer" from blogging about his day to day observations and feelings.

In one of his posts he writes the following about wanting a labyrinth “One of the most profound meditative experiences available to the lay person, or any other soul desiring a respite from the banality and meaninglessness of our daily round, can be found as near as the closest Labyrinth. The ancient practice of walking the "maze" has captured many a soul, most probably because the physical action of its twists and turns, coinciding with the step and breath of the human in motion, excites, even as it calms.”

The spiritual discipline of the labyrinth involves a "walking meditation" and is a metaphor for the soul's spiritual journey. It quiets the mind and opens the soul to a sense of wholeness and wellness. The tradition of labyrinth walks was recovered in the United States in the early '90s at Grace Cathedral in San Francisco and, in recent years, the labyrinth has come to be recognized as an instrument of holistic healing. The Rev. Canon Lauren Artress of Grace Cathedral has used labyrinth walks with groups of children with ADD/ADHD (attention deficit disorder/attention deficit hyperactive disorder) and has discovered that it helps focus and quiet them in a way that cognitive therapies fail to do.

Since many of the labyrinth projects are still new, they haven't completed any long-term studies. But many places have noticed that this ritual provides benefits such as short-term calming, relaxation, and relief from agitation and anxiety in otherwise fragmented lives. The restorative and calming value of the walk can last from two to three hours, or longer.

I also read of another touching story of a couple that walked, hand in hand, through the labyrinth almost daily.  He was suffering from Alzheimer’s, and she was struggling with the confinement, stress, and isolation of being a caregiver.  She noticed that after a few weeks of their routine, he began to regain small skills. 

Another labyrinth that is very appropriate to mention here is this one made from seasonal bulbs (many of them from the amaryllis family that make Galantamine) at Cornell University, New York. I also like the idea of how at the end of the flowering season it just turns back to a lawn, only to reappear the following year.

Bulb Labyrinth Cornell University

See more about this labyrinth here.

Bulb Labyrinth Cornell University

Labyrinths are a fantastic place for anyone to go and relax and I highly recommend finding one and trying it out for yourself. To help you find the closest one to you check out the global labyrinth locator http://labyrinthlocator.com/.

For a list of Labyrinths at Hospitals, Health Care Facilities, Spas and Wellness Centers go to http://www.labyrinthproject.com/hospitals.html

Scorces   

http://findarticles.com/p/articles/mi_m3830/is_10_50/ai_79355490/pg_2/

http://www.thecabinpath.com/labrynth.html

http://www.medicinenet.com/galantamine/article.htm

Theater in the garden

Garden Theatres

Although there are many grand Garden Theatres and huge impressive amphitheatres out there in the world, they are not something you find very often in normal residential garden design. They are however, something I like very much. So I will leave the many grand garden theatres and the huge impressive amphitheatres for another post for another day.

Today I am going to talk about the intimate and sometimes modest (but just as effective) garden theatre.  

Bonfire Garden, Hagal Farm

Growing up on my parents farm in West Cork, we had a garden stage, but as you can seen in the picture across, it is now quite overgrown and a little neglected (although this in itself gives it a certain charm)

The stage made up part of a bonfire garden and back in the day, there was many a party held here.

West Cork is well known for being full of fine food and culture, so back then there was no shortage of  fine musicians to prop up on the stage (these would often overflow onto the simple timber seating that surround the fire pit). To the left of the stage was a round concrete pad reserved for dancing.

At night the garden would take on a very different atmosphere, as you went from being in an open outdoor garden into what seemed like an intimate enclosed space. One got this sense of enclosure as the light from the fire illuminated the trees that surrounded and arched over the entire area, hiding all that lay beyond.

   

A lovely garden theater at the Everglades Gardens, Leura, Australia.

I also love this garden theatre I came across in the Everglades Gardens in Leura, set in the amazing surroundings of the Blue Mountains in Australia.

The golden pyrmont sandstone arch which forms the dramatic backdrop to the stage was originally the recessed entrance to the London Chartered Bank of Australia on Sydney’s George Street. The arch is flanked by tall hedges clipped formally to form the wings of the stage.

Author Shawna Lee Coronado's Garden Stage

Another one I like for its sheer simplicity and functionality is this one by author Shawna Coronado. On her blog ‘The Casual Gardener’ she wrote about how the answer to her garden dilemma was resolved by creating this lovely little garden stage.

It is also a great example of how you can create an interesting garden feature on a small budget.

When having a rainwater collection system installed in her garden, she was left with a huge mound of soil from when they dug the hole for the tank, and of course this soil had to go somewhere! She did not want it to go to landfill so she decided to make a feature out of it. Even on a tight budget she managed to create a lovely little feature out of it. The four large tiles make up the stage, which regularly features her 10 year old daughter performing her latest stage show. It is also a spot where a musician might perform during a garden party. You can see her post about this here http://thecasualgardener.blogspot.com/2010/12/how-i-transformed-mound-of-dirt-into.html

Mainly because of my passion for stone, one of my favourites is this here, at Dick Schwab’s Celebration Barn near Solon in Iowa.
This amazing amphitheatre has an impressive dry stone arch, built with Anamosa Limestone from near Stone City, and has an impressive internal radius of 16ft (4.8m) weighing in at about 65 tons.

 The celebration barn often hosts weddings, the ceremonies often held underneath the mighty arch.

The stone arch and amphitheater at the Celebration Barn, Solon, Iowa. Photo by Eric Whittlesey

The arch and amphitheatre were built by ‘Country Stone Masons’. Fellow Stone Foundation member Eric Whittlesey who works for ‘Country Stone Masons’ told me a bit about the construction process, and was nice enough to share these photos as well.

Photo by Eric Whittlesey

The curved seating of the ampitheatre itself is also made with Anamosa Limestone, each stone meticulously chiselled to fit tightly to its neighbour. The area can seat over 300 people.

Photo by Eric Whittlesey

Photo by Eric Whittlesey

All 68 stones that make up the arch, some weighing as much as 1.5tons, had to be painstakingly carved into the angle of the arch.

On of the most fascinating thing about stone arches is the physics behind them, and the fact that the procedure to build them has hardly changed since Roman times back in the 10^th century.

The shear downward force of weight (all 65 tons of it) combined with the angles of the wedge shaped stones or ‘voussoirs’ means that the stones are almost welded together, evenly spreading the weight down both sides. 

For these reasons the arch does not require any mortar to hold it together, however for peace of mind the stones were pinned together so that the masons could sleep soundly without having any nightmares about brides tragically being crushed by stones on their wedding day! 

Completed arch with form still in place. Photo by Eric Whittlesey

For the form that supported the arch as they built it, they used massive cotton wood timbers, which were stacked on top of each other as the build progressed. Then when the key stone was set in place, the most anticipated part of the build could be performed, this of course being the removal of the support form. I remember removing the form from the first large arch I built. As I was pulling it out, my brain kept telling me 'Of course it will stay up, there is absolutely nowhere it can go’  however its still a nerve-racking moment!

The stone arch and amphitheater at the Celebration Barn, Solon, Iowa. Photo by Eric Whittlesey