'The tree that ate the church' and other stone hungry Irish trees

Around this time every year I try and do a special tree themed blog post especially for National Tree Week which this year runs from 2nd March to 8th March.

Reading through this wonderful new book by Aubrey Fennell about the Heritage Trees of Ireland I got inspired to do a blog post on some of the stone hungry trees of Ireland.

This book is full of wonderful photos, stories and information and I thoroughly recommend getting a copy. Below are two stories from the book that I have been permitted by the publishers to share with you. They are the story of The Tree That Ate the Church in Co. Offaly and the story of Castle One Tree in Co. Cavan written in the words of the author.

Heritage Trees of Ireland By Aubrey Fennell. Click here to buy with free worldwide shipping

I have always been fascinated by the folklore surrounding many of Ireland's trees. Many of these trees are also often closely tied to stone I find. Unfortunately though the same trees are also often the slow killers of the same stone structures as was the case below.

The Tree that Ate the Church. Co. Offaly. (Photo from Heritage Trees of Ireland book with the publishers kind permission)

The Tree That Ate the Church, Tihilly Church, Laughaun, Coleraine, County Offaly  

"I have been as guilty as anyone in rushing through the countryside on our improved road network, and not seeing some of the wonders of our beautiful island. The road between Tullamore and Clara was one I had often travelled, when a beam of sunshine illuminated a pair of ash trees I had not noticed before. They are two fields in, behind a farmyard, and after getting permission from the farmer I approached them with growing anticipation.

Surface roots of the first ash seemed ready to grab my ankles and pull me into if gaping cavity. The gargantuan tree did not look benign and, if I did not know better, appeared to be ‘Old Man Willow’ exiled from Tolkien’s Middle-earth. 

It stands on a mound of stones which are the remains of Tihilly church. Moss-covered stones and bark merge to create a trunk 7.6m in girth, a new Irish champion at the turn of the millennium. Since then its

cavity has become a cave, which has shrunk its girth to 7.18m. It supports a respectable storm-damaged crown, and at over 300 years old, is living on borrowed time. It probably started life as an opportunist seedling on the walls of the church, when it was abandoned in medieval times. Two walls remain standing beyond its grasping roots.

The second ash stands proudly clear of all this carnage, and is in the prime of life, ready to guard this religious site when the old brute is gone. It shelters a standing High Cross made from sandstone, which depicts scenes from the Bible, along with geometric and animal interlacing. St Fintan founded a monastery here in the seventh century. The last abbot served here in 936, while the church we see now was built from the stones of previous churches.

Ash trees have a special place in Irish folklore, and massive old trees have been venerated down through the ages. After the hawthorn, it is the tree most likely to be found at holy wells and sites of special significance.

Here we have a tree to rival those of the past and I hope to revisit it before it returns to Middle-earth."

Castle One Tree. Bawnboy, County Cavan

Castle One Tree
(Photo from Heritage Trees of Ireland book with the publishers kind permission)

Castle One Tree
(Photo from Heritage Trees of Ireland book
with the publishers kind permission)

‘Castle One Tree’ is a recently coined name given to an incredible old ash tree which is gorging on what remains of Lissanover Castle between Bawnboy and Templeport. Lissanover translates from Irish as the ‘Fort of Pride’, and the story goes that one of its occupants had a priest murdered at the altar because he had started Mass without him. In medieval times the castle was a stronghold of the ruling McGovern clan, and commanded views of the Barony of Templeport from Fermanagh to the Shannon basin as it fed into Lough Allen. 

Another account translates Lissanover as ‘Fort of Extravagance’; in this version a Baron McGovern was building the castle and had his tenants drive their cows to be milked at the castle every day, and the produce was used instead of water to make the mortar. BuIlocks’ blood was also used, and if anyone refused, the Baron had them hanged.

The McGoverns’ despotic rule did not survive the Elizabethan plantation, and the castle stone was recycled into the construction of Lissanover House in the 18th century. 

By the early 20th century, the mansion had suffered the same fate as the castle, and its stone was reused in the building of local farmers’ homes after the estate was divided up by the Land Commission.

Permission to view the tree from Martin Donohoe on whose land the tree stands is essential, as the grazing bullocks may have an ancestral memory of what happened to their forebears. Climb the hill until it levels off, and only bumps and hollows remain of the fort, except for the stout ash on its pedestal of stone. The trunk is over 7m in girth although it is not a conventional trunk, as many roots drop down from the original height of the wall where the ash seeded itself some 300 years ago. The tree’s height and spread is over 18m, and it is obviously thriving on its diet of blood and milk. It is clear why this tree was left well alone, for who knows what malevolent spirit might be released if it is interfered with? The McGoverns had the habit of imprisoning their opponents in wooden barrels with nails driven in and rolling them down the hill from this castle.

Below are two other trees that are stone bound which I have long admired. The first is an old crab apple growing out of a sold rock (an old mass rock I believe) close to my family home in West Cork.

Crab Apple tree, Mealagh Valley, West Cork. (Rock not very visible from this angle as grass has creped up over the rock on this side.) 

 The tree below is a lovely old Hawthorn growing through the wall at the 12th century St Doulagh's Well, in the outskirts of Dublin city. I love how the wall around the Hawthorn tree has carefully been maintained and repaired over the years to allow the tree to grow freely through the wall. It was actually visiting this site that  inspired me to incorporate the Hawthorn 'fairy tree' into the outdoor classroom project I created for the school in Donabate.

Hawthorn growing through the wall at the 12th century St Doulagh's Well

Planting the fairy tree in the outdoor classroom. 

The Fairy Tree in place

In regards to other Stone Hungry Trees, I also like this photo by Ken Curran of vines consuming a dry stone wall in Co. Tipparary

Vines consuming a dry stone wall in Co. Tipperary (Photo by Ken Curran of Earthstone)

Grave Yards are also great places to see stone eating trees.

Stone Hungry trees in Glasnevin cemetery in Dublin

If you want to see some funny hungry trees from around the world, you should check out this link http://hungrytrees.com/

You can see my previous posts for National Tree Week here.

There are plenty of events on around the country this week for National Tree Week. To find out what is happening in your area or to advertise your own event, check out the Tree Council of Ireland website http://www.treecouncil.ie/initiatives/treeweek2014.html

Thanks again to Collins Press  for allowing me to share the stories from their book. The Book Depository has the wonderful  Heritage Trees of Ireland book on sale at the moment with 39% off plus free worldwide shipping so click here to get yourself a copy 

Tree Art for National Tree Week

Like every year on National Tree Week I like to do a tree related post. And as it is National Tree Week here in Ireland at the moment, I thought I would mention some 'tree themed' sculptures that I really like.

Ute Lennartz-Lembeck's Weeping Willow tree sweater in Velbert, Germany

German artist and art teacher  Ute Lennartz-Lembeck took up the hobby, also known as "yarnbombing", after seeing the work of others on a visit to Berlin.

Graffiti knitters typically install their stitched creations on signposts, statues, bicycles and any other surface that can serve as a creative display space. And just like graffiti of a more permanent kind, their work can be politically motivated, whimsical, witty or inane. Though they commonly call themselves graffiti or guerilla knitters, some of their works like the Weeping Willow tree sweater is actually crochet.

The tree sweater in Velbert, required 200 hours and 400,000 stitches to complete.

Being Ute's first project, she decided to work with a tree as it is a symbol of life, its roots, stem and crown are interdependent, one can not live and grow without the other... 

Unlike some knitting guerrillas who follow the lead of traditional graffiti artists like Banksy and keep their identities secret, Lennartz-Lembeck has taken on the role of yarnbombing ambassador, installing her creations openly and during the daytime, which often spurs conversation with curious strangers.

Ute also has a global project called B-Arbeiten or B-Work.
B-work is a worldwide network of single-word banners, attached to trees, lampposts, letterboxes, in fact anywhere that might catch the glance of passers-by in a bid to get them to reconsider their surroundings.
Ute explains that this is not the work of a single person, but of many people; friends, acquaintances and people who show interest in putting the works into their environment. Ute sends the various banners free of charge to willing accomplices all over the world. There are now over 200 attached 'values', in many places in the world. The work comes back to her in the form of a photo that she in turn, shares with the world the world on the B-Arbeiten facebook page or on her homepage.

Find out more about Ute's fantastic work on her website here.

Above photos courtesy of Ute Lennartz-Lembeck.

Another sculpture I love is this Tree Troll by artist Kim Graham.

The Tree Troll. A huge 12-foot tall troll is built by Kim and volunteers with completely non-toxic materials.

Kim Graham began her art career as a painter in acrylics in the late 1980's but quickly moved to sculpture. She has been sculpting since then in a wide variety of media and sizes ranging from 22' wide fiberglass dragons to fired clay figuratives to architectural ceramic pieces. Kim has in recent years moved away from her special effects/fantasy based mold-making work to focus intensely on one-of-a-kind fine art sculptures. These range from beautiful Art Nouveau inspired figurative plaques to busts and portraits.

The sculpture concept

Kim's inspration for this sculpture has a lot to do with her Norwegian descent, and when the 'Lord of the Rings' movies came out, she recognized the Ents as being similar to tree trolls from Scandinavian Mythology. People identify with this image, but it has special meaning to Kim as she grew up in a small logging community in Montana, and most of her life was spent hiking and camping in the deep forests of the Northwest. The great cedar trees have always instilled a sense of awe in her, and  a surprising sense of awareness. They seemed thoughtful creatures, old, wise, and kind. Seeing the character of Treebeard in the movies inspired her to do a Northwest version.

A troll in the making. Some of the 25 volunteers that helped create the sculpture. 

This 12 foot tall sculpture was surprisingly made from paper mache. She chose this unconventional method for a number of reasons. Most sculptors never get the chance to work large scale. It can be really expensive. A lot the materials are toxic, require safety equipment, a lot of ventilation or at the very least an outdoor site. That is the joy of working in paper mache. This troll was built in a space barely larger than the sculpture itself. It was done indoors with no additional ventilation and with a lot of recycled paper products. Best of all, this project was intended to prove just how beautiful and sophisticated a surface can be made.

Since its creation in 2006, the tree troll has been touring many garden shows and local markets. One of the downsides to the troll being made from paper mache is that it cannot be left outdoors. This year Kim is planning a new version that will be made in concrete, which will be permanently located outdoors.

Concept picture for the new concrete tree troll

Tree troll photos courtesy of Kim Graham. Check out her website to see more of her lovely work. 

Below are a few pictures of some other tree related sculptures I really like.

Heart Of Trees by Spanish artist  Jaume Plensa. Photo courtesy of littlestschnauzer

Claude Lalanne - "La Pomme de Guillaume Tell" (William Tell's Apple)
Photo courtesy of David Pittuck

Hanging trees by Andy Goldsworthy. Photo courtesy of  Dave AKA RoystonVasey

"Sycamore" by Wendy Taylor. Photo courtesy of malcolm bull

Joseph Wheelwright’s Tree Figures. Photo courtesy of Elena AKA elalex2009

This sculpture, I cannot find any information about. If you are the owner of the photo or the creator of this wonderful work, or indeed know who it belongs to,  please email me.

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Photos from previous years National Tree Week blog posts

You can see my previous posts for National Tree Week here.
Also check out my post on two of Ireland's wonderful native trees, Blackthorn, Shillelaghs and the tree of the fairies, the Hawthorn

There are plenty of events on around the country this week for National Tree Week. To find out what is happening in your area or to advertise your own event, check out the Tree Council of Ireland website http://www.treecouncil.ie/treeweek/treeweek.html

This year for National Tree Week, why not let the trees do some art!!!

So it's National Tree Week again here in Ireland! Last year in my post Grow our own chairs for national tree week, I instructed ye all to go and create some art by growing a chair out of trees. (I have yet to hear from ye how that went). So this year, why not let the trees themselves make some art!

Picture from last years post 'Grow our own chairs for national tree week'

This is precisely what British artist Tim Knowles did back in 2005 when he started his series of art pieces, simply called ‘Tree Drawings’ Tim’s idea was to create a series of drawings produced using drawing implements attached to the tips of tree branches, the wind’s effects on the tree is then recorded on paper.  Like signatures, each drawing reveals the different qualities and characteristics of each tree.

All of his works rely on the logic of cause and effect, as a map of time and a record of actions governed entirely by chance.

 

Tree Drawing - Weeping Willow on circular panel [100 pen] 2005

Above, 100 pens attached to the branches of a Weeping Willow tree draw onto a circular disc 5.1 metres in diameter and made up of 10 segments.

Larch on Easel #1 2006

Scots Pine on Easel #1 2006

Similar projects by Knowles include his Vehicle Motion Drawings, where he constructed an apparatus to capture the motion of a car being driven, all the turns, stops, and starts of the vehicle move the pen over the paper. Another is  his postal projects, which capture the motion of packages sent through the postal system, using both drawings and photography.

Greek Pine on easel #1 2005

I think my favorite work of his is titled ‘Nightwalk - Valley of Rocks’.  

Nightwalks are a series of illuminated walks that Knowles created in the countryside during a new moon (to ensure complete darkness).

One of Tim Knowles contraptions

Over the period of an hour, the artist walked away from the camera while carrying three wide-beam torches fitted with diffusers. The lights are connected to a 12volt battery in a backpack to prolong their life. His path, along a precarious rocky ridge in the darkness, was illuminated and captured using a long-exposure, large-format photograph. The direction in many of his walks are also dictated by the wind by using various contraptions that plot the direction of the wind.

Nightwalk - Valley of Rocks 2008

Photos and info from Tim Knowles website. Be sure to check it out to see more of his amazing work
http://www.timknowles.co.uk

So it's still National Tree Week for a few days and there are still a number of events on this weekend right around the country. To find out what in happening in your area, follow the tree council of Ireland link http://treecouncil.ie/

2011 also happens to be the International Year Of The Forest. You can find out more about this here http://www.un.org/en/events/iyof2011/

Grow our own chairs for national tree week

 1987 Peter Cook

As it is national tree week here in Ireland (7-13 March) at the moment, I thought a tree related post would be appropriate. So what better way to celebrate national tree week, than growing your own chair out of trees!!!!!!!!!
Unfortunately as I am currently renting a house in the centre of Dublin city, so I am unable to get to try this out myself, during national tree week, but as soon as I have time to head out to the home place in the heart of the country side of West Cork, I will be heading to our local nursery (which coincidentally, happens to be one of the best in the country www.futureforests.net/) to pick up some native trees to give this a go. If you click on the picture below, it will take you to a page on ‘Arborsmith Studios’ website where you will see instructions on how to create one of the magnificent chairs.

Click on the picture to see instructions by arborsmith on how to create a tree chair.

When researching for my living willow structures post, I came across many of these living chairs.

The idea of creating these fantastic structures has been around for some time.

Richard Reames creations

Probably one of the earliest depictions of a living chair is in a painting by Jean Perreal, from 1516 called ‘Dialogue between the Alchemist and Nature’.

‘Dialogue between the Alchemist and Nature’ by Jean Perreal 1516

 However probably one of the first people to give it a go, was bank president/cheese maker and naturalist, John Krubsack (1858-1941) who, unsatisfied with ordinary furniture said “Dammit, one of these days I am going to grow a piece of furniture that will be better and stronger than any human hands can build.” And that is precisely what he did. In the spring of 1907 he planted 32 box elders trees, then the following spring he gradually began to train the young stems to grow gradually in the shape of a chair. After the seventh year all the trees were cut, making in all eleven years from the time the seed was sown until the chair was finally completed.

John Krubsack 1908

Following him in 1925 was arbor sculpture and creator of the tree circus, Axel N Erlandson.

Axel N Erlandson 1925

Some of the more resent contributions include Peter Cook, (pictured at the beginning of the post) who in 1987 asked himself, "I wonder if I can grow a chair?" The answer to this question is evident in the picture at the top of the post.

More recently in 2000, sixty year old Chinese chair designer, Mr. Wu has been shaping elm tree branches into chairs. It takes Wu about five years to grow a tree chair, during which time he constantly trims and guides it into shape before harvesting it. He currently has one tree chair in his home, and six more in production.

Mr. Wu 2000

Although there are many more examples, the final example I will mention is Arbor smith and sculpture Richard Reames, (the guy who’s instructions above you all will be using to plant your own chairs). Richard opened Arborsmith Studios (A tree nursery/art studio) 1993. He has grown many of these chars, and in 1995 wrote a book on the matter, simply titled ‘How to Grow a Chair’

Richard Reames 2000

So I hope ye are all inspired now, and that you all go off now on this national tree week to continue on this tradition started over 100 years ago!

Happy planting

There are still a number of events on this weekend, right around the country. To find out what in happening in your area, follow the tree council of Ireland link http://treecouncil.ie/tree_council_national_tree_week.htm